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THREE: "Dancing and singing girls are to be counted by the thousand, and they certainly have the most gorgeous toilets I have seen in the country. They are engaged to sing and dance at dinner parties, just as we have bands[Pg 293] of music to play for us at large banquets in America, and no Japanese gentleman who was giving a dinner to a friend or friends would think he had done the proper thing unless there were 'geishas' to sing and dance for them. The other evening Doctor Bronson ordered a dinner for us at a Japanese restaurant in the true style of the country; he told the manager to get it up properly, and the answer was that it should be perfect. When we went there, we found the dinner ready; and there were two singing geishas, and two dancing ones, to entertain us. I can't say that I considered it much of an entertainment after the novelty had gone, as the music was monotonous, and we couldn't understand a word of the singing. Their dancing consisted of sliding about the room, and taking a variety of postures with their arms and hands, and it wasn't a bit like what we call dancing. But it was all perfectly proper and nice, and the girls behaved like real ladies. They are educated for dancers or singers, as the case may be, and some of them are great favorites and get high wages. But if I were to have my way, and have them dress to my taste, I should make them put less paint on their faces; they consider that the one who can put the most paint on her face and neck is the prettiest, and so they cover themselves till they look as though they were veneered. One of those that danced for us had her face covered so thickly that she couldn't smile without cracking the varnish, and so she didn't smile at all."I--I didn't want you to be--taken too unpleasantly by surprise--just at the--end. You know what's--happening,--don't you?"

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THREE:"But the artists do not confine themselves to porcelain; they do a great deal of enamelling on metal, and some of their productions in this way are quite as interesting as their enamelling on porcelain. They did not invent the art, so it is said, but borrowed it from the Chinese, who had in their turn borrowed it from Persia or some other of the Central Asiatic countries. Some of the Japanese artists claim that the art was borrowed from their country, but the most of those who have studied the subject say that this claim is incorrect. But no matter who invented the process,[Pg 246] it is very beautiful and is of great antiquity; it is capable of a great many variations, and, although it has been in use for centuries, hardly a year passes without some improvements in it. In making the metal enamels the strips of brass are soldered to the surface and the cavities are filled up with the liquid coloring. The whole is then baked as in the porcelain process, and the surface of the work is carefully polished until all the lines are fully developed and the completed article shines like glass.The face disappeared, and the Curate's doubts evaporated for the moment. "Will you come this way?" he continued, and led the way through a long, dark passage to the back of the hall. Behind the screen, upon which the picture was being shown, there was a small space, and here a stage had been erected. Upon a small table in the centre stood a large bag and some packages. The Curate adjusted the small gas-jet so as to produce an illumination sufficient to move about. "We must talk low," he explained, pointing to the screen in front of them, "the cinematograph is still showing. We shall be ready in about ten minutes. Can you manage in that time?"

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