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After bathing, during their long prayers to the gods of the river, almost as sacred here as it is at Benares, the pilgrims threw grain to the half-tame fish. Steering vigorously with their tails, the creatures turned and rolled, making eddies of light in the water, and hurrying up to the falling grain occasionally upset the equilibrium of some old woman still taking her bath. At the top of the bank, in the blazing sunshine, two fakirs, squatting in the dusty road, remained unmoved by all this turmoil, seeing nothing, hearing nothing, absorbed in a fixed thought which concentrated their gaze[Pg 297] on an invisible point. The fall of an old woman into the Ganges, with all the shouting that such an incident entails in India, left them quite indifferent; they did not stir, did not even glance at the river as the woman was taken out unconscious.

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In the plain the sowars were performing an[Pg 280] Indian fantasia. Charging at a gallop, their wide sleeves flying behind them, they swept past like a whirlwind, aiming with their lances at a peg of wood stuck into the ground. Whenever it was speared there were frantic shouts and applause from a crowd of spectators, packed in the best places. In a cloud of dust, growing steadily thicker and hanging motionless over the riders, the performance went on, its centre always this same peg of wood, replaced again and again, exciting the enthusiasm of connoisseurs till the last ray of light died away.On our way back to the hotel, in a park through which we had to pass, we suddenly heard overhead a shrill outcry proceeding from a banyan tree to which a number of vampires had hung themselves up. Clinging together side by side, like black rags, and hardly visible in the thick foliage, the creatures formed a sort of living bunch, creeping, swaying, and all uttering the same harsh, monotonous, incessant cry.One of these halls, almost at the top of the mount, accommodated a school. The elder pupils sat on stools by the master's side; the little ones and the girls, in groups of five or six, squatted on mats in the corners; and all the little people were very quiet in the atmosphere of sandal-wood and flowers brought as offerings, read gravely out of big religious books, and listened to the Brahmin as, in a deep, resonant voice, he chanted a sort of strongly-marked melody. There was scarcely an ornament on the light-coloured walls, pierced with deep windows showing foliage without; and among the dead whiteness of the mats and the schoolchildren's draperies there was but one bright light,[Pg 109] the bell over the pulpit, surmounted by the sacred bull in bronze, of precious workmanship.
THREE:[Pg 94]

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THREE:

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THREE:

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FORE:"I shall pay as much as I can myself, and by-and-by my son will earn money, and we shall pay between us."The road lay among flowers, all-pervading; in the fields, on the rocks, on the road itself, pink flowers or lavender or white; bright moss, shrubs and trees in full bloom, and hovering over them birds of changing hue and golden butterflies.

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FORE:A large building of red and white stone, with spacious arcades and a central dome, as vast as a cathedral, stands at the angle of two avenuesthe[Pg 6] railway terminus; and a great market of iron and glassCrawford Market. Here are mountains of fruit, greenery, and vegetables of every colour and every shade of lustre; and a flower garden divides the various market sheds, where little bronze coolies, in white, scarcely clad, sell oranges and limes.Finally, in a third mosque, lies Shah Alam's brother. On the stone that covers him a sheet of lead bears the print of two gigantic feet, intended to perpetuate to all ages the remembrance of his enormous height.

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FORE:This, then, is the malady of the appalling namethe Plaguehardened glands in the throat or under the arm; the disease that gives its victim fever, sends him to sleep, exhausts, and infallibly kills him.

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THREE:An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.

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THREE:The priests slowly mounted the stairs, the music died away in echoes more and more confused, ceasing at last, while the sacred animal, going off to the right at the foot of the steps, disappeared into its stable.
THREE:The external decoration is broken by broad flat panels, incised in places so delicately that the patterns look like faded fresco, scarcely showing against the gold-coloured ground of yellow stone. In front of the Kailas stand two tall obelisks, carved from top to bottom with an extraordinary feeling for proportion which makes them seem taller still, and two gigantic elephants, guardians of the sanctuary,[Pg 42] heavy, massive images of stone, worm-eaten by time into tiny holes and a myriad wrinkles, producing a perfect appearance of the coarse skin of the living beast.

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The Viharas, monasteries of cells hollowed out in the hillside, extend for more than half a mile; briars and creepers screen the entrances leading to these little retreats, a tangle of flowers and carvings.[Pg 12]Just within the enclosure to our right is a tomb. A Mohammedan who came forth to take the sacred[Pg 74] hill, the brother of an emperor of Delhi, fell dead at the foot of a Ja?n idol, which he had dared to touch with his staff. How the legend developed it is impossible to say; but this warrior, buried on the spot where he was stricken down by the divinity, has the miraculous power of curing barrenness in the women who invoke him. Votive offerings, little cradles daubed with yellow and red, are heaped on the pavement and hang to the railing.
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