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THREE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.It was dearly bought, however. For some time, for prudence sake, the Marquis kept up his pretence of madness, but after the fall of Robespierre and the Terror he resumed the apparent use of his reason. But the next heir had taken possession of the estates of the family in consequence of the declared madness of its head. The Marquis appealed to the law, but his own notoriety and the last will and letter of the Chevalier ���� decided the case against him. He was shut up in the asylum of Charenton, where [320] he lived for many years, resigning himself after a time to his fate, and dying in extreme old age. To Be Made For New Orders