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× FORE:"Why not?" Gregg paused in his walk and looked genuinely surprised.

× FORE:Uppermost in the Doctor's mind was the reflection that he of all persons should have been selected by an undiscriminating providence to undergo this distressing and entirely unprecedented experience. It was an ironic commentary upon his reactionary views and his comfortable doctrine of common sense. He had been convinced in spite of himself, and the effort to resist conviction had strained his mental powers uncomfortably. He felt very strongly his inability to cope with the many problems that would be sure to arise in[Pg 156] connection with the Clockwork man. It was too much for one man's brain. There would have to be a convocation of all the cleverest men in Europe in order to investigate such an appalling revelation. He pictured himself in the act of introducing this genuine being from a future age, and the description he would have to give of all that had happened in connection with him. Even that prospect set his brain reeling. He would like to be able to shirk the issue. It was enough to have looked upon this archetype of the future; the problem now was to forget his existence."That's all right, Harry, I withdraw the request."

× FORE:"Never," was the reply, "and I had a funny incident growing out of this fact on my first voyage. We were going out of New York harbor,[Pg 56] and I made the acquaintance of the man who was to share my room. As he looked me over, he asked me if I had ever been to sea.

× FORE:��I quite see your point, Mr Keeling,�� he said. ��Now you put it to me so plainly, I only wonder{75} that I did not think of it before. I am afraid we shall have a melancholy meeting.��

× FORE:��Of course, yes,�� said Alice, with enthusiasm. ��How stupid of me not to have thought of that. That lovely spider! Do remember to tell Jane not to dust it away. I haven��t seen Mrs Fyson for a long time, nor Julia. I must write a note to Julia wishing her good-bye before I go to Brighton. Dear Julia.��

× FORE: "Now, mother, this letter is addressed to you, but it is intended for everybody; and I know you'll read it to everybody, and have it handed round, so that all can know where I am and what I have told you about Japan. When I don't write to each one of you, I know you will understand why it is,��because I am so busy, and trying to learn all I can. Give my love to each and every one in the family, and tell Mary she knows somebody outside of it that wants a share. Tell her I often think of the morning we left, and how a handkerchief waved from the railway station when we came away. And tell Mary, too, that I haven't yet opened her list of things I am to get for her; but I haven't forgotten it, and have it all safe and right. There are lots of pretty things to buy here; and if she has made a full catalogue of Japanese curiosities, she has given me enough to do for the present��and the presents.

× FORE:"I am not nameless; I only ask leave to withhold my name until I have told one or two other things."

× FORE:"While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.The Japanese lacquer of the present time is not so highly prized as that of the last or the previous century. It is not so well made, partly for the reason that the workmen have lost their skill in the art, and partly because labor is much more expensive now than formerly. The prices obtained for some of the specimens of this kind of work have been very high, but they are not enough to meet the advance that has been made in wages in the past few years. The manufacturers are anxious to turn their money as rapidly as possible, and consequently they do not allow their productions to dry thoroughly. To be properly prepared, a piece of lacquer should dry very slowly; and it used to be said that the best lacquer was dried under water, so that the process should not be too rapid. The article, whatever it may be, is first shaped from wood or papier-mach��, and then covered with successive coatings of varnish or lacquer; this is made from the gum of a tree, or, rather, from the juice, and it is said to have the peculiar property of turning black from exposure to the air, though it is of a milky whiteness when it exudes from the tree. It can be made to assume various colors by the addition of pigments; and while it is in a fresh condition coatings of gold-leaf are laid on in such a way as to form the figures that the artist has designed. Every coating must be dried before the next is laid on; and the more elaborate and costly the work, the more numerous are the coatings. Sometimes[Pg 251] there may be a dozen or more of them, and pieces are in existence that are said to have received no less than fifty applications of lacquer. A box may thus require several years for its completion, as the drying process should never be hastened, lest the lacquer crack and peel when exposed to the air, and especially to heat. Good lacquer can be put into hot water without the least injury; but this is not the case with the ordinary article.

× FORE:��I have looked through your testimonials, Miss Propert,�� he said, ��and they seem satisfactory. Your work will be to take down my correspondence in the morning, in shorthand, and bring it back typewritten for signature after luncheon. The hours will be from nine till five, with an hour��s interval, Saturday half day. Your salary will be twenty-five shillings a week.��