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THREE:Levis, who knew that his success depended on forestalling any English arrivals, lost no time in throwing up trenches and preparing batteries. Had the river continued closed, Quebec must soon have reverted to the French; but, on the 11th of May, the English were rejoiced to see a frigate approaching, and this, only four days after, was followed by another frigate and a ship of the line. These, commanded by Lord Colville, immediately attacked and destroyed or drove on shore the French flotilla, and at that sight Levis struck his tents and decamped as rapidly as he came, leaving behind him his baggage and artillery. Nor was the Marquis de Vaudreuil left long undisturbed at Montreal. The three expeditions, which had failed to meet the preceding summer, were now ordered to converge on Montreal��Amherst from Lake Ontario, Haviland from Crown Point, and Murray from Quebec. Amherst had been detained at Oswego by an outbreak of the Cherokees against us. This native tribe had been friendly to us, and we had built a fort in their country, and called it Fort Loudon, after Lord Loudon; but in the autumn of 1759 they had been bought over by the French, and made a terrible raid on our back settlements, murdering and scalping the defenceless inhabitants. Mr. Lyttelton, the Governor of South Carolina, marched against them with a thousand men, and compelled them to submission; but no sooner had he retired than they recommenced their hostilities, and Amherst sent against them Colonel Montgomery, with one thousand two hundred men, who made a merciless retaliation, plundering and burning their villages, so as to impress a sufficient terror upon them.The style of St. Paul's, and, indeed, of all Wren's churches, is neither Grecian nor Gothic, but Italian, influenced by the fashion which Bernini, the Italian architect of Louis XIV., had introduced into France. It is a class of architecture of which the Grecian is the basis, but which is so freely innovated upon as to leave little general resemblance. In its different parts we have columns and pilasters of every Grecian and, indeed, Roman order, pediments, peristyles, architraves, and friezes, mingled up with windows of all sorts, and all kinds of recesses and projections, the fa?ades and intercolumniations ornamented with festoons, and wreaths, and human masks, and the whole surmounted by a great Eastern dome, and by campaniles partaking of[159] all the compilations of the main buildings. St. Paul's itself is a noble building, notwithstanding the manifest gleanings from the antique and the medi?val, and their combination into a whole which has nothing original but their combination into one superb design. Besides St. Paul's, the rest of Wren's churches are disappointing, and we cannot avoid lamenting that he had lost the sense of the beauty of Gothic architecture, especially when we call to mind the exquisite churches of that style which adorn so many of the Continental cities. Whilst the exteriors of Wren's churches show heavily in their huddled-up situations in London streets, their interiors, in which much more of the Grecian and Roman styles is introduced, are equally heavy, and wanting in that pliant grace which distinguishes the interiors of Gothic cathedrals. Perhaps the noblest work of Wren next to St. Paul's is Greenwich Hospital, which is more purely Grecian, and therefore displays a more graceful and majestic aspect. The Palace of Hampton Court, attached to the fine old Tudor pile of Cardinal Wolsey, is a great square mass, in which the Dutch taste of William is said to have set aside Wren's original design. But surely William did not compel him to erect that (in such circumstances) ponderous barbarism of a Grecian colonnade in the second quadrangle of Hampton Court, attaching it to a Gothic building. In fact, neither Wren nor Inigo Jones appears to have had the slightest sense of the incongruity of such conjunctions. Jones actually erected a Grecian screen to the beautiful Gothic choir of Winchester Cathedral, and placed a Grecian bishop's throne in it, amid the glorious canopy-work of that choir. The return to a better taste swept these monstrosities away.