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All round the mosque, in narrow alleys, are more and yet more tombs, strewn with roses and enclosed in little plots. Some stand out in the street unenclosed, like milestones.

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  • ONE: TWO:
  • ONE:Asses followed, oxen and more camels, loaded beyond their strength with old iron, tin pannikins, a whole cargo of goods in cases from Manchester and Sheffieldso badly packed that things came clattering down as the beasts pushed each other amid oaths and blows. TWO:So, after waiting for the reply of the gentleman whose business it was to give me this free pass, seeing that he could not make up his mind, I left the town without it.
  • ONE:Bombay, towering above the sea in a golden glorythe tall towers and minarets standing out in sharp outline against the sky, splendid in colour and glow. Far away Malabar Hill and a white speckthe Towers of Silence; Elephanta, like a transparent gem, reflected in the aqua-marine-coloured water.While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain. TWO:The fort, rising from a rock wall of rose-red sandstone, is reached by a series of drawbridges and bastions, now no longer needed and open to all comers.The view spread to the horizon of mauve-pink sky, very faintly streaked with green. We could see the white mass of Secunderabad, a town of English barracks, at the foot of chaotic red-brown rocks, looking like the heaped-up ruins of some city of the Titans; and among trees shrouded in blue smoke, Hyderabad, conspicuous for its two mosquesthe tomb of the Empress and the Jumna Musjid, the mausoleum of the Nizams.
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FORE:On the landing-stage we read in large letters: "Beware of sunstroke," and lower down, "Avoid it by buying the best umbrellas and the best pith helmets of John Dash." The streets are the commonplace highways of a commercial town; the houses tall, with shops below. Dust and light alike were blinding; jinrickshaws were passing to and fro, drawn by almost naked coolies running as fast as horses.
  • THREE:BOMBAY

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  • THREE:Then, on the right, endless pools and rivers; naked men were ploughing in the liquid mud and splashed all over by the oxen drawing a light wooden plough, their bronze bodies caked ere long with a carapace of dry, grey mud.Beyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.

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  • THREE:A vision of Europe. Cottages surrounded by lawns under the shade of tall trees, and against the green the scarlet coats of English soldiers walking about. And close about the houses, as if dropped there by chance, tombs covered with flagstones and enclosed by railings, and on all the same date, June or July, 1857. Further away, under the trees, are heaps of stones and bricks, the ruins of mosques and forts, hardly visible now amid the roots and briars that look like the flowery thickets of a park, varied by knolls to break the monotony of the level sward. In the native town that has grown up on the site of the palace of Nana Sahib, built indeed of the[Pg 186] ruins of its departed splendour, dwell a swarm of pariahs, who dry their rags and hang out clothes and reed screens over every opening, living there without either doors or windows, in utter indifference to the passer-by.

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  • THREE:From the top of the observatory, where instruments, all out of order, are to be seen on the deserted terraces, a staircase in a half-circle of stonework leads straight up to the open sky, and there the eye is dazzled by the view of Benares, all spread out below: the vast city of yellow stone, the cupolas of its temples, and its palaces stretching far along the Ganges, which slowly rolls its milky green waters under a sky of almost pearly whiteness; and in the distance the grassy plain of bright emerald green, lost on the horizon that throbs with the heat. Everything was wrapped in a halo rather than a haze, faintly blue with the smoke that went up from the funeral piles of the Hindoo dead.

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  • THREE:Bakaoli, having returned to her own country, sends her confidante, named Hammala, with a letter to Tazulmulook, who at once follows the messenger. The prince and the queen fall in love with each other. Bakaoli's mother finds them together, and furious at the disobedience of her daughter, who is affianced to another rajah, she calls up a djinn to plunge Tazulmulook in a magic fount. The prince finds himself transformed into a devil with horns, and wanders about the jungle once more. There he meets a pariah woman with three children, who begs him to marry her. Tazulmulook in despair leaps back into the spring to die there, and to his great surprise recovers his original shape.

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FORE:Outside the town the carriage went on for a long time through a poverty-stricken quarter, and past plots of ground dug out for the erection of factories. Fragile flowers, rose and lilac, bloomed in the shade of banyans and palm trees. Hedges of jasmine and bougainvillea, alternating with rose trees, scented the air. Then we came to Parel, a suburb where, in a spacious enclosure, stands the hospital for infectious diseases. It is a lofty structure of iron, the roof and walls of matting, which is burnt when infected with microbes, and which allows the free passage of the air. In spite of the heat outside it was almost cool in these shady halls.Cymbals and kettle-drums formed the orchestra, reinforced by the shrill cries and strident laughter of the spectators.
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FORE:Beyond the new town of broad avenues planted with trees and bordered with gardens, was a brand-new bridge of gaudy bricks over a river, almost dry, where a swarm of naked natives were performing their ablutionswashing linen and shaking out red and white cloths, as far as the eye could see. Buffaloes lying in the mud were sleeping among the tame ducks, the ibis, and the herons, all seeking their food. An elephant plunged into the water, splashing it up and scaring thousands of bright birds, which flew up against the intensely blue sky.The music played louder, light flashed out on all sides, the god stood still, and bayadres performed their worship. With slow gestures, their hands first hollowed and held to the brow, then their arms flung out, they bowed before the idol with a snake-like, gliding motion, while the music played very softly and the lights burnt faintly. The nauchnees, in dark muslin drapery spangled with gold, bangles on their arms, their necks, and their ankles, and rings on their toes, swayed as they danced, and swung long, light garlands of flowers which hung about their necks. And there were flowers in their hair, in a bunch on each side of the head, above two gold plates from which hung strings of beads. The flying, impalpable gauze looked like a swirl of mist about their limbs.
FORE:In the Begum's tomb the sarcophagus is on the ground, surrounded by a pale-tinted mosaic pavement. The windows, screened by pierced stone, admit a rosy light, and the walls are painted to imitate Persian tiles, with tall Cyprus trees in blue and green. Incense was burning in one corner, the[Pg 182] perfume mingling with that of the flowers, wafted in at every opening. Doors of massive cedar, carved with the patience of a bygone time, rattle on their hinges as the wind slams them to, but still endure, uninjured by ages.With tea a servant brought packets of betel in a chased gold box, with a lid imitating a lotus flower. Then, when everybody was served, he carefully replaced the precious object in an embroidered silk bag and disappeared.
FORE:Over the gate and the door of the house light garlands, made of single flowers threaded like beads, swing in the breeze and scent the air.Inside the temple long arcades connect the shrines sunk in the thickness of the walls, gloomy recesses with images of Vishnu and other idols; where the corridors or arcades cross each other there are vast halls with a sculptured roof supported by thousands of columns. In one of these halls there is a chariot full of divinities. The wheels, the horses, the highly-venerated images, are all of marble very delicately wrought, and amazing after the coarse caricatures on the outside. In the courts again, under sheds, there are cars; one of enormous size in black wood carved with innumerable figures and interlacing patterns; pendant ornaments of the same wood sway in the wind. The solid wheels, without spokes, small and having huge axles, seem made not to turn, and the shafts, to which a whole army of the faithful harness themselves on the occasion of a high festival, are long and as thick as masts.[Pg 114] Another car, past service, lay slowly rotting in a corner; almost all its images had vanished, and its canopy had fallen off; it was almost completely hidden under aristolochia in blossom.
FORE:Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.
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FORE:Under the central dome sleeps Mumtaj-Mahal, the well-beloved sultana, for whom Shah Jehan erected the most beautiful mausoleum in the world.We stopped at a bungalow by a creek of the Jellum that was paved with broad lotus-leaves, among which the buds were already opening their pink hearts.
Opposite a large tank, where a tall column rises from the water in memory of the victims of the Mutiny, and where a party of the votaries of Siva are performing their pious ablutions, a building stands in the Hindoo-Jesuit style of architecture. It is heavy, with white carvings above its pink paint, and with columns supporting turrets crowned with large lion-faces, the masks only, in the Indian manner, daylight showing through the jaws and eyes, and the profiles absurd, shapeless, and unmeaning. This is the college of La Martinire.The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Elloraa vale of pagodas, "the happy valley"have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.Suddenly there was a panic among the horses; they shied, reared, and bolted across the fields, and the road being cleared, the elephants belonging to the Ameer of Cabul went by, to march at the head of the caravan. Next came a thousand camels, also the Ameer's; like the elephants, they carried no baggage, but on the back of one female was a young one, tied into a basket, born only the day before, all white and woolly.
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