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Mme. Le Brun, speaking of Mme. de Genlis, says, Her slightest conversation had a charm of which [465] it is difficult to give an idea.... When she had discoursed for half an hour everybody, friends and enemies, were enchanted with her brilliant conversation.

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She had had great success in the number of important pictures she painted at Naples; and her [107] career at Rome was equally prosperous. She had plenty of money now, and nobody to meddle with it, and if it had not been for the constant anxiety about France she would have been perfectly happy. But French news was difficult to get and bad when it was obtained.
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THREE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.

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ONE:What gives you the right to laugh at us, Monsieur? asked one of them, with irritation. Pellentesque consequat aliquam hendrerit. Nam eget tellus felis. Aenean aliquam pretium felis, eu varius sapien. Mauris porttitor condimentum faucibus.

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TWO:One of her new friends was the Countess Kinska, who, as she observed, was neither maid, wife, nor widow, for she and her husband had been married according to their parents arrangement, without ever having seen each other, and after the ceremony Count Kinska, turning to her, saidPAULINE was so ill after this that her husband took her and their remaining child to Aix-les-Bains, and then to their chateau of Plauzat in Auvergne, a curious, picturesque building, part of which dated from the twelfth or thirteenth century, which dominated the little town of the same name, and was surrounded by the most beautiful country.
THREE:Half beside herself with anxiety and fear for the fate of the royal family and of all respectable people, Lisette, her child, and the nurse or nursery [87] governess went to the diligence at midnight, escorted by M. Le Brun, Louis Vige, and M. Robert, the landscape painter, an intimate friend of theirs, who never left the diligence, but kept close to its doors as it lumbered along through the narrow dark streets to the barrire du Tr?ne. For the terrible faubourg Saint Antoine had to be passed through, and Lisette was dreadfully afraid of it.

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THREE:But she was left to live in the convent without [357] ever leaving it, and her lot would have been deplorable indeed but for the affection and sympathy she met with from every one, above all, from the good abbess, Mme. de Rossgnol, who had taken care of her education, and with whom she dined and spent the whole day.Aix-la-Chapelle was crowded with emigrs, among whom she found many friends and relations. They met chiefly in the salon of her cousin, the Comtesse dEscars; every one had relations with the army of Cond, in prison, in deadly peril, or even already murdered. The society was chiefly composed of old men, priests and women, whose lives were a perpetual struggle with poverty hitherto unknown to them.

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  • THREE:Aime de Coigny was no saint or heroine, like the Noailles, La Rochejaquelein, and countless others, whose ardent faith and steadfast devotion raised them above the horrors of their surroundings, and carried them triumphantly through danger, [101] suffering, and death to the life beyond, upon which their hearts were fixed; nor yet a republican enthusiast roughly awakened from dreams of humanity, universal brotherhood, and liberty under the rule of The People, whose way of carrying out these principles was so surprising.

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I will never give it you! If you want to get it, kill me! And she swallowed it.On the nights when there was an opera, the Palais Royal was open to any one who had been presented there. The first invitation to supper meant a standing one for those days, therefore the Palais Royal was then crowded with guests; and on other evenings the petits soupers, generally consisting of eighteen or twenty guests, were composed of those of the intimate society of the Duke and Duchess, who also had a general invitation.The Duc de Montpensier came to Tournay to see his brother and sister and then left for Nice.
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