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ONE:All alike were fevered from the deafening music of harmoniums and tom-toms performing at the back of each gambling-booth��a din that drowned shouts of glee and quarrelling.When we stopped to change horses, two or three mud-huts under the shade of a few palm trees would emit an escort of little native boys, who followed the fresh team, staring at the carriage and the "Inglis Sahib" with a gaze of rapturous stupefaction.
TWO:[Pg 27]I have no right to stay in Cashmere without the authorization of the Anglo-Indian Government, and ought to have handed such a permit to the police on arriving. I have none��no papers whatever.
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ONE:At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.
TWO:BHAWNAGAR
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ONE:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.
TWO:The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.The two chairs are now placed side by side, and the priest goes on chanting his prayers to a slow measure, in a nasal voice that is soon lost again in the chatter of the bystanders. Rice is once more shed over the couple, and incense is burnt in a large bronze vessel, the perfume mingling with that of the jasmine wreaths on the walls.
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THREE:There are closed carriages, victorias, vehicles with a red canopy drawn by oxen, the shafts set at an angle. The drivers bawl, shout to the porters, fight for the fare with their whips, while, overhead, kites and hawks wheel incessantly, uttering a plaintive cry.Under the white dome a wooden ceiling, gilt in the hollows of the carving, has taken the place of an earlier ceiling of massive silver, worth seventy lacs of rupees, which was carried off by the conquerors after some long-ago seizure of the city. Inside, by way of walls, are carvings in marble of twisted lilies, inconceivably graceful and light. And then, at one of the entrances, those marble lattices, once gilt and now bereft of their gold, look just like topaz in the midday sun. After that magic splendour of gold and marbles fused to topaz and amber, the rest of the palace��the sleeping-rooms, the couches inlaid with mosaic flowers, the pierced stone balconies overlooking the Jumna��all seemed commonplace and familiar. FORE:In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costume��a full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low down��charcoal warmers that they carry next their skin under their robe.

THREE: FORE:

Lorem ipsum dolor sit amet conse ctetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.

THREE:

THREE:The palace of the Rajah of Nagpoor, with its two towers, overlooks the river from above a broad stairway. A balcony quite at the top is supported on a massive cornice lightly carved into acanthus leaves. The damp has subdued the red colour of the building, fading it especially at the base, and from a distance it might be fancied that a veil of thin gauze had been hung over the palace, and fastened beneath the carved parapet.In the evening, in the open street, we came upon a circle of bystanders all beating time, while in the midst four little girls were dancing, wearing the sarong, but naked to the waist. They leaned very much over to the right, resting the right elbow on the groin, clapping the right hand with the left, and throwing back the left leg. All four did the same, round and round, and this went on again and again without a pause, under the pale light of the stars filtering through an enormous banyan tree. Occasionally a woman among the crowd would give a slow, long-drawn cry, and the dancers answered in very short notes, piercingly shrill.
by Daniel Nyari View on Dribbble

FORE:On our way back through the temple-quarter a sudden wild excitement possessed the worshippers and priests; out of a side street rushed a large troop of monkeys, grey, with black faces. They galloped past in a close pack and fled to the trees, shrieking shrilly. One, however, lagged behind, bent on stealing some rice that had been brought as an offering to a plaster image of Vishnu. A Brahmin stood watching the monkey, and tried to scare it away with a display of threatening arms, but he dared not hit the beast sacred to Hanuman, the god of the green face. The creature, never stirring from the spot, yelled aloud, bringing the rest of the pack back on to the roof of the neighbouring pagodas. Then the ringleader, with a subdued, sleepy, innocent gait, stole gently up to the tray of offerings. He was on the point of reaching it when the priest raised his arm. This was a signal for the whole tribe to scream and dance with terror, but without retreating. The performance seemed likely to last; the bazaar and the temples were in a hubbub of excitement; the doors of the shops and the sanctuaries were hastily shut, till, at the mere sight of a man who came out[Pg 299] with a long bamboo in his hand, the whole pack made off and appeared no more, and Hardwar relapsed into its somnolent sanctity.
Nulla facilisi. Aean nec eros.…
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THREE:In a very quiet little alley, fragrant of sandal-wood, men may be seen in open stalls printing patterns with primitive wooden stamps, always the same, on very thin silk, which shrinks into a twisted cord reduced to nothing when it is stretched out to dry.In the courtyard a tall and gaudy cock was keeping the crows in order, driving them relentlessly away from the kitchen precincts. On the roof of the servants' quarters, always in the same spot, perched a kite, ready to pounce as soon as anything was thrown out. The doves, the house-pigeons, the fowls fled at once and squatted in corners; but the cock stood his ground, his feathers all on end, his crest erect, chuckling with rage and stalking round the yard within ten paces of the bird of prey.
by Daniel Nyari View on Dribbble

FORE:
Nulla facilisi. Aenn nec eros.…
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THREE:[Pg 40]Amid hanging swathes of creepers, in a fold of the hill stands another temple, of red stone, very gloomy; and, in its depths, a rigid white Buddha, with purple shadows over his eyes of glittering crystal. And so on to temples innumerable, so much alike that, seeing each for the first time, I fancied that I was retracing my steps; and endless little shrine-like recesses, sheltering each its Buddha, make blots[Pg 43] of shadow on the bright ochre-coloured stone of the cliffs. For centuries, in the rainy season, thousands of pilgrims have come, year after year, to take up their abode in these cells, spending the cold weather in prayer and then going off to beg their living and coming back for the next wet season.
by Daniel Nyari View on Dribbble

FORE:Further yet lay the artificial lake of Meer Alam, reflecting the palace of Baradari and the russet plain, infinite as far as the eye could reach towards the north, where other superb mausoleums were visible in their whiteness.
Nulla facilisi. Aenn nec eros.…
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THREE:Tazulmulook finds Bakaoli asleep in her garden, and after plucking the miraculous flower he exchanges the ring for that of the princess and departs. Bakaoli awakes, and discovering the theft of the flower and of her ring is much disturbed, and gives orders that the thief is to be caught.

THREE:One of my sepoys was lying asleep in the [Pg 82]verandah of the bungalow. A variety of articles hung from his belt: an antelope's horn made into a powder-flask, several tassels of red and green silk threaded in a row, a triple chain of copper serving to hang up lamps in front of the sacred images, a small damascened knife in a crimson velvet sheath, and a tiny yellow earthenware bottle containing kohl.

FORE:A little way off, in the burning sandy plain, is a pagoda sacred to the pigeons. Lying as close as tiles, in the sun, they hide the roof under their snowy plumage. Round pots are hung all about the building, swaying in the wind, for the birds to nest in, a red decoration against the russet stone; each one contains an amorous and cooing pair.Then follows a long discussion in Hindi with the bystanders, who always escort a foreigner in a mob, ending in the question��

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