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FORE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or f��te. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.

FORE:To her joy she met her old friend Doyen, the painter. He had emigrated two years after her, and arrived at St. Petersburg with no money. The Empress came to his assistance and offered him the directorship of the Academy of Arts. He settled in the Russian capital, where he got plenty of employment, painting both pictures and ceilings for the Empress, who liked him, and for the Russian nobles. The Empress gave him a place near her own box at the theatre, and used often to talk to him.