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FORE:40This process was conceived by Aeschylus as a conflict between two generations of gods, ending with their complete reconciliation. In the Prometheus Bound we have the commencement of the conflict, in the Eumenides its close. Our sympathies are apparently at first intended to be enlisted on behalf of the older divinities, but at last are claimed exclusively by the younger. As opposed to Prometheus, Zeus is evidently in the wrong, and seeks to make up for his deficiencies by arbitrary violence. In the Oresteia he is the champion of justice against iniquity, and through his interpreter, Apollo, he enforces a revised moral code against the antiquated claims of the Erinyes; these latter, however, ultimately consenting to become guardians of the new social70 order. The Aeschylean drama shows us Greek religion at the highest level it could reach, unaided by philosophical reflection. With Sophocles a perceptible decline has already begun. We are loth to say anything that may sound like disparagement of so noble a poet. We yield to none in admiration for one who has combined the two highest qualities of art��sweetness and strength��more completely than any other singer, Homer alone excepted, and who has given the primordial affections their definitive expression for all time. But we cannot help perceiving an element of superstition in his dramas, which, so far, distinguishes them unfavourably from those of his Titanic predecessor. With Sophocles, when the gods interfere, it is to punish disrespect towards themselves, not to enforce justice between man and man. Ajax perishes by his own hand because he has neglected to ask for divine assistance in battle. Laius and Jocast�� come to a tragic end through disobedience to a perfectly arbitrary oracle; and as a part of the same divine purpose Oedipus encounters the most frightful calamities by no fault of his own. The gods are, moreover, exclusively objects of fear; their sole business is to enforce the fulfilment of enigmatic prophecies; they give no assistance to the pious and virtuous characters. Antigon�� is allowed to perish for having performed the last duties to her brother��s corpse. Neoptolemus receives no aid in that struggle between ambition on the one hand with truthfulness and pity on the other which makes his character one of the most interesting in all imaginative literature. When Ath��n�� bids Odysseus exult over the degradation of Ajax, the generous Ithacan refuses to her face, and falls back on the consciousness of a common humanity uniting him in sympathy with his prostrate foe.

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FORE:"Oh yes, it has been destroyed already a couple of times, but we shall teach them a lesson! Why did not the Belgians allow us to pass through their country? What can their little army do against us? As soon as a sufficient number have crossed we shall go for these forts, then on to Brussels, and within a fortnight we shall be in Paris. Li��ge we have taken already."He stated that the cause of the destruction was the necessity of punishment, because Belgian soldiers in civilian dress had stayed behind in Louvain, waiting to attack the German army from behind at the first favourable opportunity. They thought that their chance had come when for a short time the German troops had to be withdrawn from the fortified camp of Antwerp to take their share in a122 fight near Louvain. Von Manteuffel thought that by attacking the troops in the town the Belgians hoped to prevent the Louvain garrison from assisting their comrades.

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FORE:He pointed to a couple of soldiers, and they laid hold of me. They took me to a small room, where I was astonished to find two soldiers with revolvers guarding a priest and a peasant. As soon as the door was closed behind me I wished to chat with my fellow-prisoners, for even in prison I was not oblivious of my journalistic duties. But they seemed not at all anxious to have anything to do with me, and I soon understood the reason why. At each question they threw timid glances at the two watch-dogs, and I saw that fear of these made them withhold all information. However, after a good deal of trouble I got to know that the priest was the parish priest, and his companion in misery the burgomaster. They had been taken as hostages, and would suffer punishment for acts the villagers might eventually commit against the German usurpers. I contented myself with this, as I felt104 that in the circumstances further questions might make things awkward for these two men.With Seneca and his contemporaries, Stoicism has shaken itself free from alien ingredients, and has become the accepted creed of the whole republican opposition, being especially pronounced in the writings of the two young poets, Persius and Lucan. But in proportion as naturalistic philosophy assumed the form of a protest against vice, luxury, inhumanity, despotism, and degradation, or of an exhortation to welcome death as a deliverance from those evils, in the same proportion did it tend to fall back into simple Cynicism; and on this side also it found a ready response, not only in the heroic fortitude, but also in the brutal coarseness and scurrility of the Roman character. Hence the Satires of the last great Roman poet, Juvenal, are an even more distinct expression of Cynic than the epic of Virgil had been of Stoic sentiment. Along with whatever was good and wholesome in Cynicism there is the shameless indecency of the Cynics, and their unquestioning acceptance of mendicancy and prostitution as convenient helps to leading a natural and easily contented life. And it may be noticed that the free-thinking tendencies which distinguished the Cynics from the Stoics are also displayed in Juvenal��s occasional denunciations of superstition.

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