FORE:The Epicurean philosophy of life and mind is completed by a sketch of human progress from its earliest beginnings to the complete establishment of civilisation. Here our principal authority is Lucretius; and no part of his great poem has attracted so much attention and admiration in recent times as that in which he so vividly places before us the condition of primitive men with all its miseries, and the slow steps whereby family life, civil society, religion, industry, and science arose out of the original chaos and war of all against each. But it seems likely that here, as elsewhere, Lucretius did no more than copy and colour the outlines already traced by his masters hand.189 How far Epicurus himself is to be credited with this brilliant forecast of modern researches into the history of civilisation, is a more difficult question. When we99 consider that the most important parts of his philosophy were compiled from older systems, and that the additions made by himself do not indicate any great capacity for original research, we are forced to conclude that, here also, he is indebted to some authority whose name has not been preserved. The development of civilisation out of barbarism seems, indeed, to have been a standing doctrine of Greek Humanism, just as the opposite doctrine of degeneracy was characteristic of the naturalistic school. It is implied in the discourse of Protagoras reported by Plato, and also, although less fully, in the introduction to the History of Thucydides. Plato and Aristotle trace back the intellectual and social progress of mankind to very rude beginnings; while both writers assume that it was effected without any supernatural aida point marked to the exclusive credit of Epicurus by M. Guyau.190 The old notion of a golden age, accepted as it was by so powerful a school as Stoicism, must have been the chief obstacle to a belief in progress; but the Prometheus of Aeschylus, with its vivid picture of the miseries suffered by primitive men through their ignorance of the useful arts, shows that a truer conception had already gained ground quite independently of philosophic theories. That the primitive state was one of lawless violence was declared by another dramatic poet, Critias, who has also much to say about the civilising function of religion;191 and shortly before the time of Epicurus the same view was put forward by Euphorion, in a passage of which, as it will probably be new to many of our readers, we subjoin a translation:
THREE:And now, looking back at the whole course of early Greek thought, presenting as it does a gradual development and an45 organic unity which prove it to be truly a native growth, a spontaneous product of the Greek mind, let us take one step further and enquire whether before the birth of pure speculation, or parallel with but apart from its rudimentary efforts, there were not certain tendencies displayed in the other great departments of intellectual activity, fixed forms as it were in which the Hellenic genius was compelled to work, which reproduce themselves in philosophy and determine its distinguishing characteristics. Although the materials for a complete Greek ethology are no longer extant, it can be shown that such tendencies did actually exist.Neither can we admit Grotes further contention, that in no Greek city but Athens would Socrates have been permitted to carry on his cross-examining activity for so long a168 period. On the contrary, we agree with Colonel Mure,113 that in no other state would he have been molested. Xenophanes and Parmenides, Heracleitus and Democritus, had given utterance to far bolder opinions than his, opinions radically destructive of Greek religion, apparently without running the slightest personal risk; while Athens had more than once before shown the same spirit of fanatical intolerance, though without proceeding to such a fatal extreme, thanks, probably, to the timely escape of her intended victims. M. Ernest Renan has quite recently contrasted the freedom of thought accorded by Roman despotism with the narrowness of old Greek Republicanism, quoting what he calls the Athenian Inquisition as a sample of the latter. The word inquisition is not too strong, only the lecturer should not have led his audience to believe that Greek Republicanism was in this respect fairly represented by its most brilliant type, for had such been the case very little free thought would have been left for Rome to tolerate.
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FORE:Characters, then, are not introduced that they may perform actions; but actions are represented for the sake of the characters who do them, or who suffer by them. It is not so much a ghostly apparition or a murder which interests us as the fact that the ghost appears to Hamlet, and that the murder303 is committed by Macbeth. And the same is true of the Greek drama, though not perhaps to the same extent. We may care for Oedipus chiefly on account of his adventures; but we care far more for what Prometheus or Clytemnestra, Antigone or Ajax, say about themselves than for what they suffer or what they do. Thus, and thus only, are we enabled to understand the tragic element in poetry, the production of pleasure by the spectacle of pain. It is not the satisfaction caused by seeing a skilful imitation of reality, for few have witnessed such awful events in real life as on the stage; nor is it pain, as such, which interests us, for the scenes of torture exhibited in some Spanish and Bolognese paintings do not gratify, they revolt and disgust an educated taste. The true tragic emotion is produced, not by the suffering itself, but by the reaction of the characters against it; for this gives, more than anything else, the idea of a force with which we can synergise, because it is purely mental; or by the helpless submission of the victims whom we wish to assist because they are lovable, and whom we love still more from our inability to assist them, through the transformation of arrested action into feeling, accompanied by the enjoyment proper to tender emotion. Hence the peculiar importance of the female parts in dramatic poetry. Aristotle tells us that it is bad art to represent women as nobler and braver than men, because they are not so in reality.185 Nevertheless, he should have noticed that on the tragic stage of Athens women first competed with men, then equalled, and finally far surpassed them in loftiness of character.186 But with his philosophy he could not see that, if heroines did not exist, it would be necessary to create them. For, if women are conceived as reacting against outward circumstances at all, their very helplessness will lead to the304 storing of a greater mental tension in the shape of excited thought and feeling debarred from any manifestation except in words; and it is exactly with this mental tension that the spectator can most easily synergise. The wrath of Orestes is not interesting, because it is entirely absorbed into the premeditation and execution of his vengeance. The passion of Electra is profoundly interesting, because it has no outlet but impotent denunciations of her oppressors, and abortive schemes for her deliverance from their yoke. Hence, also, Shakspeare produces some of his greatest effects by placing his male characters, to some extent, in the position of women, either through their natural weakness and indecision, as with Hamlet, and Brutus, and Macbeth, or through the paralysis of unproved suspicion, as with Othello; while the greatest of all his heroines, Lady Macbeth, is so because she has the intellect and will to frame resolutions of dauntless ambition, and eloquence to force them on her husband, without either the physical or the moral force to execute them herself. In all these cases it is the arrest of an electric current which produces the most intense heat, or the most brilliant illumination. Again, by their extreme sensitiveness, and by the natural desire felt to help them, women excite more pity, which, as we have said, means more love, than men; and this in the highest degree when their sufferings are undeserved. We see, then, how wide Aristotle went of the mark when he made it a rule that the sufferings of tragic characters should be partly brought on by their own fault, and that, speaking generally, they should not be distinguished for justice or virtue, nor yet for extreme wickedness.187 The immoderate moderation of the Stagirite was never more infelicitously exhibited. For, in order to produce truly tragic effects, excess of every kind not only may, but must, be employed. It is by the reaction of heroic fortitude, either against unmerited outrage, or against the whole pressure of social law, that our synergetic interest is wound up305 to the intensest pitch. It is when we see a beautiful soul requited with evil for good that our eyes are filled with the noblest tears. Yet so absolutely perverted have mens minds been by the Aristotelian dictum that Gervinus, the great Shakspearian critic, actually tries to prove that Duncan, to some extent, deserved his fate by imprudently trusting himself to the hospitality of Macbeth; that Desdemona was very imprudent in interceding for Cassio; and that it was treasonable for Cordelia to bring a French army into England! The Greek drama might have supplied Aristotle with several decisive contradictions of his canons. He should have seen that the Prometheus, the Antigone, and the Hippolytus are affecting in proportion to the pre-eminent virtue of their protagonists. The further fallacy of excluding very guilty characters is, of course, most decisively refuted by Shakspeare, whose Richard III., whose Iago, and whose Macbeth excite keen interest by their association of extraordinary villainy with extraordinary intellectual gifts.
THREE:
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FORE:"There is but one thing for it," the man responded. "There is ever before my eyes the fear of the police. Therefore I go back to my prison house till you are ready. But I have escaped once, and I shall escape again. Play me false, and I will come out and denounce you before a whole crowd of your painted butterflies. I could say to your medical Adonis----"But nobody identified the dead man; the police had not expected anything of the kind. The inquest had been formally opened at the corner house, and at the suggestion of Sergeant Prout, who had the case in hand, was adjourned for a fortnight. It was hard to get the people out of the house afterwards.
THREE:Absolute being is next distinguished from truth, which, we are told, has no objective existence237a remarkable declaration, which throws much light on other parts of the Aristotelian system, and to which we shall subsequently return.238
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03.
THREE:
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04.
THREE:
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10.
super flexible..
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05.
think smart..
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06.
start out fresh..
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11.
start out fresh..
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07.
brand new ideas..
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08.
cooler than ice..
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12.
cooler than ice..
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