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FORE: FORE: FORE:The style of St. Paul's, and, indeed, of all Wren's churches, is neither Grecian nor Gothic, but Italian, influenced by the fashion which Bernini, the Italian architect of Louis XIV., had introduced into France. It is a class of architecture of which the Grecian is the basis, but which is so freely innovated upon as to leave little general resemblance. In its different parts we have columns and pilasters of every Grecian and, indeed, Roman order, pediments, peristyles, architraves, and friezes, mingled up with windows of all sorts, and all kinds of recesses and projections, the fa?ades and intercolumniations ornamented with festoons, and wreaths, and human masks, and the whole surmounted by a great Eastern dome, and by campaniles partaking of[159] all the compilations of the main buildings. St. Paul's itself is a noble building, notwithstanding the manifest gleanings from the antique and the medi?val, and their combination into a whole which has nothing original but their combination into one superb design. Besides St. Paul's, the rest of Wren's churches are disappointing, and we cannot avoid lamenting that he had lost the sense of the beauty of Gothic architecture, especially when we call to mind the exquisite churches of that style which adorn so many of the Continental cities. Whilst the exteriors of Wren's churches show heavily in their huddled-up situations in London streets, their interiors, in which much more of the Grecian and Roman styles is introduced, are equally heavy, and wanting in that pliant grace which distinguishes the interiors of Gothic cathedrals. Perhaps the noblest work of Wren next to St. Paul's is Greenwich Hospital, which is more purely Grecian, and therefore displays a more graceful and majestic aspect. The Palace of Hampton Court, attached to the fine old Tudor pile of Cardinal Wolsey, is a great square mass, in which the Dutch taste of William is said to have set aside Wren's original design. But surely William did not compel him to erect that (in such circumstances) ponderous barbarism of a Grecian colonnade in the second quadrangle of Hampton Court, attaching it to a Gothic building. In fact, neither Wren nor Inigo Jones appears to have had the slightest sense of the incongruity of such conjunctions. Jones actually erected a Grecian screen to the beautiful Gothic choir of Winchester Cathedral, and placed a Grecian bishop's throne in it, amid the glorious canopy-work of that choir. The return to a better taste swept these monstrosities away.The session of Parliament closing on the 26th of May, George took his annual trip to Hanover, leaving, as usual, the queen to act as Regent. She found her duties this year by no means light. Everyone is acquainted with the Porteous Riots, as they are described by the inimitable pen of Sir Walter Scott in "The Heart of Midlothian." The simple historic facts are these:��Two noted smugglers from Fife, Wilson and Robertson, were condemned to death for a robbery, and were confined in the Tolbooth of Edinburgh. They made a determined effort to effect their escape before the day of execution. Wilson, who would go first, being a man of a corpulent though very powerful build, wedged himself fast in the window, and could neither get out nor draw back again. He was found thus in the morning, and the two prisoners were again secured. Wilson lamented that by his own eagerness he had prevented Robertson from going first, who, from his slenderer person, could easily have escaped. Before execution it was the custom at that period in Scotland to conduct the prisoners about to suffer, under a strong guard, to church. This being done in the case of these two men, just as the service was concluded, Wilson suddenly laid hold of two of the four soldiers who guarded them, called out to Robertson to run for his life, and detained the third soldier by seizing him by the collar with his teeth. He escaped, and was never seen in Edinburgh again. This daring scheme, so cleverly executed, raised the admiration of the bravery and magnanimity of Wilson to the highest pitch. At his execution the soldiers were attacked with stones. Porteous, who commanded the guard, fired upon the mob. For this he was condemned to death, but was reprieved by Queen Caroline after full inquiry. The people in fury attacked the Tolbooth, the magistrates and the[67] commander of the troops were afraid to act, the prison was broken open, and Porteous hanged on a barber's pole. All attempts to discover the perpetrators of the outrage failed.

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