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In the chief temple, whose walls were painted all over, a huge Buddha of gold and silver was hidden under wreaths of flowers round his neck, and a diadem of flowers on his brow, where blazed a luminous diamond; and flowers were arranged in a canopy over his head, and were strewn like a carpet on the steps of the shrine.

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Near her was another woman, gone mad, dancing, her skeleton limbs contorted in a caricature of[Pg 193] grace; and a child of some few months, like an undeveloped abortion, of the colour of a new penny, with a large head rolling on a neck reduced to the thickness of the vertebr?, and arms and legs no larger than knitting-pins, but, in a sort of mockery, the swollen belly of the fever-stricken. The eyes blinked in the little wrinkled face, seeking something in vacancy; it tried to cry, but the only sound was a feeble croak.At the end of a passage that runs round the temple an old woman who had just been bathing was changing her wet saree for a dry one, and appeared quite stripped, dropping her garments, and careful only not to let her face be seen.Not far from the great hospital, in huts of bamboo and matting, some Hindoos were isolated, who refused to be attended by any but native doctors, or to take anything but simples. An old man lay there who had a sort of stiff white paste applied to the swellings under his arms. He, too, was delirious, and watched us go by with a vague, stupefied glareeyes that were already dead.
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THREE:On the outside, all round the lower part of the monument, carved borders frame flowers of pale mosaic in the walls; the ornament is in such faint relief that at a short distance it is invisible, and the Taj is seen only in the perfect elegance of its[Pg 206] proportions. The mausoleum is built on a broad terrace of white marble at a height of 270 feet, overhanging the Jumna; and the impressive, harmonious outline commands the plain from afar.Fakirs, holding out their begging-bowls as they squatted round an opening in the ground, showed that it was the entrance to a temple; a few steps down, a long corridor with little niches on each side, and then hall after hall full of grimacing gods, lighted up by our guide's torch, till at last we reached an immense vault where impenetrable darkness filled the angles lost in a labyrinth of arcades converging to some mystery. Here all the Hindoo gods, carved in stone, have been crowded together, with their horrible contortions, their stolid beatitude, their affected grace; and in their midst is a huge idol, hacked with a great cut by Aurungzeeb, the Moslem emperor, at the time of his conquest. Suddenly all about us was a crowd of Brahmins, appearing from what dark corners we could not discover. They looked nasty and half asleep, and vanished at once with a murmur of whispered speech that hung about the galleries in an echo. FORE:RAMPOOR

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THREE:In the afternoon the Rajah wore a pale green dress embroidered with gold and gems, and sparkling with stones, and a wide rose-coloured sash fringed with pearls. He wore no jewels but priceless diamond buckles in his shoes. As I had lingered long in the morning at a jeweller's shop, the prince wished to show me his possessions. Servants, as solemn as gaolers, brought in many trays covered[Pg 83] with enormous emeralds cut into beads and strung on white cords, necklaces of pear-shaped pearls threaded on almost invisible silk. And then, from among the goldsmith's work, modelled into impossible flowers and chimeras twisted to make heavy anklets, from among coat-buttons, rings and sword-guards sparkling with diamonds, the Rajah took up a costly snuff-box and begged me keep it as a remembrance.The temples were already closed, but my servant, Abibulla, diverted the attention of the gatekeeper, and I stole unseen into the outer precincts. FORE:At a station where we stopped, a man with a broad, jolly, smiling face got into the carriage. He was a juggler and a magician, could do whatever he would, and at the time when the line was opened[Pg 90] he threatened that if he were not allowed to travel free he would break the trains into splinters. The officials had a panic, and the authorities were so nervous that they gave way; so he is always travelling from one station to another, living in the carriages.

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THREE:By noon, under the torrid blaze which takes the colour out of everything, exhaustion overpowers the city. Vehicles are rare; a few foot-passengers try to find a narrow line of shade close to the houses, and silence weighs on everything, broken only by the buzzing of flies, the strident croak of birds of prey.
  • THREE:The ceremony now begins. The dastour chants his prayers, throwing handfuls of rice all the time[Pg 17] over the young couple. A sheet is held up between the two, and a priest twines a thread about the chair. At the seventh turn the sheet is snatched away, and the bride and bridegroom, with a burst of laughter, fling a handful of rice at each other.On quitting Hyderabad, to the right and left of the iron road, the landscape was for a long way the same; rocks, that looked as if they had been piled up and then rolled over, lay in russet heaps among peaceful little blue lakes without number, breaking the monotony of the wide, scorched fields, a sheet of pure gold. At one of the stations a beggar was rattling his castanets furiously, and singing something very lively and joyous. At the end of each verse he shouted an unexpected "Oh!" just like the cry of a Paris ragamuffin.

    by Daniel Nyari View on Dribbble

    FORE:At the end of the day one of the beasts could do no more. A shiver ran through the limbs of the poor thing, which, as soon as it was released from the shafts, lay down, a stream of blood staining the[Pg 274] pale sand; and in an instant, with a deep sigh, it was stiff in death.In a dirty stable, strewn with withered plants, stood some forlorn, sickly-looking beasts, the sacred bulls of Madura.

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  • THREE:Two fakirs, squatting in a corner, gazed at the sacred stone, their bodies rigidly motionless; they did not seem to be of this world, rather to be statues of gods themselves; their eyes alone were aliveburning.In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.

    by Daniel Nyari View on Dribbble

    FORE:

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  • THREE:BENARES

    by Daniel Nyari View on Dribbble

    FORE:After the delay, which in India is a matter of course, the caravan set outthe last to go; for during the past three months no European had[Pg 247] crossed the pass, and in consequence of misunderstandings with some of the rebel tribes to the north, even the natives were prohibited henceforth from going to Cabul.

    Nulla facilisi. Aenn nec eros.…

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THREE:Then starting to his feet, and stretching out his arm to point at me, he poured forth invective in sharp, rapid speech. The words flowed without pause:
THU 14 May, 2015
FORE:And for an hour as we drove along towards Amber, the old town deserted in favour of modern Jeypoor, the same succession of temples wheeled past. The crenated walls enclose three hills, one of them crowned by a fortress, to defend erewhile the white palace mirrored in the waters of an artificial lake.[Pg 270]

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THU 14 May, 2015
FORE:

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THREE:

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Two men were quarrelling; one had robbed the other. The dispute went on endlessly, and no one, not the priest even, had succeeded in pacifying them. At last an elephant was fetched; he came up without being noticed by the disputants, and trumpeted[Pg 122] loudly just behind them. The thief, convinced that the animal in its wisdom had discovered his crime, took to his heels and fled.In the side streets the natives lay sleeping on the bare earth in the coolness of night. On every house were the spots of red paint that told how many of the inhabitants had died of the plague;[Pg 304] and the smaller the house the closer were the dabs of paint, almost framing the door with a chain of red spots.Where the roads cross there are basins where flowers are kept fresh, and above them white pigeons are always fluttering. Public scribes, squatting cross-legged on the ground, trace letters that look like arabesques, on rice-paper with a reed pen. Those who dictate them crouch beside them with an absorbed and meditative expression, dropping out the words one by one with long pauses between.The rice, lately sown, was sprouting in little square plots of dazzling green; it was being taken up to transplant into enormous fields perpetually under water. All the "paddy" fields are, in fact, channelled with watercourses, or if they are on higher ground, watered from a well. A long beam is balanced over the mouth of the well, and two boys run up and down to lower and raise the bucket; a man tilts the water into the runlets out of a large vessel of dusky copper, or perhaps out of a leaky, dripping water-skin.
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