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FORE:What there was in either Reuben or Naomi to make a poet of their eldest son would be hard to say. Perhaps it was the glow of their young love, so golden and romantic during the first year of their marriage. If so, there was something of bitter irony in this survival and transmutation of it. Odiam was no place for poets, and Reuben tried by every means in his power to knock the poetry out of Albert. It was not the actual poetry he objected to so much as the vices which went with it��forgetfulness, unpracticalness, negligence. Albert would sometimes lose quite half an hour's work by falling into a dream, he also played truant on occasions, and would disappear for hours, indeed now and then for a day or more, wandering in the fields and spinneys, tasting the sharp sweetness of the dawn and the earth-flavoured sleep of the night.A few weeks later Richard wrote himself, breaking the silence of years. Success had made him feel more kindly towards his father. He forgave the frustrations and humiliations of his youth, and enquired after his brothers and sisters and the progress of the old farm. Anne Bardon had kept him fairly well posted in Backfield history, but though he knew of Reuben's unlucky marriage and of the foot-and-mouth catastrophe, he had evidently lost count of absconding sons, for he[Pg 336] seemed to think Pete had run away too, which Reuben considered an unjustifiable aspersion on his domestic order. However, the general tone of his letter was conciliatory, and his remarks on the cattle-plague "most pr?aper."

FORE:

FORE:"Unhappy woman!" said the monk, in a tone that seemed to encourage her to proceed��"what would you of me?""And what then, impudent knave," asked the Baron,��"what is the drift of this long-winded discourse?"