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The last time Mme. Le Brun saw the Queen was at the last ball given at Versailles, which took place in the theatre, and at which she looked on from one of the boxes. She observed with indignation the rudeness of some of the young Radical nobles; they refused to dance when requested to do so by the Queen, whose agitation and uneasiness were only too apparent. The demeanour of the populace was becoming every day more ferocious and alarming; the drives and streets were scarcely safe for any but the lower classes. At a concert given by Mme. Le Brun, most of the guests came in with looks of consternation. They had been driving earlier in the day to Longchamps, and as they passed the barrire de ltoile, a furious mob had surrounded and insulted everybody who passed in carriages. Villainous looking faces pressed close to them, horrible figures climbed on to the steps of the carriages, crying out, with infamous threats and brutal language, that next year they should be in the carriages and the owners behind them.

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As the lads grew older, however, their talents developed in exactly opposite directions, so that their father found himself obliged to consent to a change of plans with regard to their education. Louis, in fact, became ultimately first violinist to the Emperor Alexander of Russia, while Jean-Baptiste, casting aside his noisy musical instruments, studied painting with enthusiasm, went to Paris in 1786, and with much difficulty succeeded in getting into the studio of David, from which he was shortly afterwards on the point of being expelled, because he made a picture of David as a wild boar, surrounded by his pupils in the form of little pigs; all excellent likenesses.

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THREE:Or, coutez, petits et grands,
FORE:Besides the conflict between the new and old ideas, the extravagant hopes of some and the natural misgivings of others, the court was disturbed by the quarrels and jealousies of many of the great nobles who, not contented with occupying the posts they held, aimed at making them hereditary in their families.
TWO:
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THREE:Adrienne especially believed implicitly in her husband, who was now the supreme fashion amongst the Liberals, fted, flattered by high and low, and just at this time the idol of the people; a popularity which soon gave place to hatred, and which did no good while it lasted.The Empress was not in the least like what she had imagined. Short and stout, though exceedingly dignified, her white hair was raised high above her forehead, her face, still handsome, expressed the power and genius which characterised her commanding personality, her eyes and her voice were gentle, and her hands extremely beautiful. She had taken off one of her gloves, expecting the usual [126] salute, but Lisette had forgotten all about it till afterwards when the Ambassador asked, to her dismay, if she had remembered to kiss the hand of the Empress.

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THREE:I have always been persuaded, she says in one of her letters, that if the victims of that time of execrable memory had not had the noble pride to die with courage, the Terror would have ceased much sooner. Those whose intelligence is not developed have too little imagination to be touched by silent suffering, and it is much easier to arouse the compassion than the imagination of the populace.

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FORE:Josphine, now the wife of Napoleon, and head of society in Paris, had not forgotten her, and was anxious to receive her at court, but this Napoleon would not allow, greatly to the disappointment and sorrow of them both.Yes, yes! I know the way to the restaurant! and as he dragged him along in an iron grasp some guards, who had discovered the escape of the prisoner, recognised and seized him.
THREE:Mme. de Montesson died in February, 1806, leaving the whole of her fortune to M. de Valence, except one or two trifling legacies and 20,000 francs to Mme. de Genlis, and, as her brother was then not well off, Mme. de Genlis added her 20,000 francs to his.

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THREE:Si vous les avez prises.

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  • FORE:In Mme. Tallien we have a woman exactly opposite to the other two in character, principles, and conduct. Differing from both of them in birth and circumstancesfor she was the daughter of a Spanish banker of large fortunewith extraordinary beauty, the hot, passionate blood of the south, a nature, habits, and principles undisciplined by authority and unrestrained by religion, she was early imbued with the creed of the revolutionists, and carried their theories of atheism and licence to the logical consequences.

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  • FORE:It was asserted by one person that she had seen the MS. of the Aurore on the table of Mme. de Genlis, but it is not likely that she would have been guilty of mixing herself in such an infamy; it was one of the slanders, probably, of which she complained, but was the result of associating intimately with such a man as the Duc de Chartres.

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  • FORE:You dont remember me? Your friend, your relation, the Marquis ?

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  • FORE:The Duc de Berri, second son of the Comte dArtois, was often at her house, and she met also the sons of Philippe-galit, the eldest of whom was afterwards Louis-Philippe, King of France. She was in London when the news came of the murder of the Duc dEnghien, and witnessed the outburst of horror and indignation it called forth. His father, the Duc de Bourbon, came to see her a month later, so changed by grief that she was shocked. He sat down without speaking, and then covering his face with his hands to conceal his tears, he said, No! I shall never get over it.

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  • FORE:It is true! I have not my cocarde! No doubt I must have forgotten it and left it on my night-cap.

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THREE:M. Le Brun was just then building a house in the rue Gros-Chenet, and one of the reports spread was that M. de Calonne paid for it, although both M. and Mme. Le Brun were making money enough to afford themselves much greater expenditure than that.Not many days after the Convention had applauded with enthusiasm an extravagant speech about charity, full of absurdities and bombastic sentimentalities, made by Trzia, Robespierre demanded her arrest of the Comit de salut public.
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She was so terribly frightened at a thunderstorm that once when visiting the Comte and Comtesse de Provence, as she stayed rather long and they wanted to go out, the Count had some heavy thing rolled on the floor of the room above, which she took for distant thunder and hurried away to reach home before the storm.But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.He was extremely kind to Mme. Le Brun, whom he always called ma bonne amie; she was often at his house, though she did not care for the great dinners of never less than thirty people, which were always at seven oclockin those days considered a late hour.Then, taking the hand of Mme. de Polignac she turned it over several times, examining it carefully, and said: You are, like the other, in the service of the same lady, who loves you so much that she confides to you her most precious jewels. You love her just as much, but still, in a short time you will leave that lady in haste, and what is more, you will not feel tranquil until you have put three great rivers between you and her. She will cry bitterly when you leave her and yet be very glad of the separation.Lisette, in fact, liked to paint all the morning, dine by herself at half-past two, then take a siesta, and devote the latter part of the day and evening to social engagements.
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