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The King, after the death of Mme. de Pompadour, of whom he had become tired, lived for some years without a reigning favourite, in spite of the attempts of various ladies of the court to attain to that post. His life was passed in hunting, in the festivities of the court, and in a constant succession of intrigues and liaisons for which the notorious Parc aux cerfs was a sort of preserve. His next and last recognised and powerful mistress was Mme. Du Barry.

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It having come to his knowledge that a plot was preparing for another massacre in the prisons on pretence of conspiracy among the prisoners, whose names and lives were at the mercy of the spies within and the police and gaolers without, he contrived by paying a hundred louis to get his own and Mme. de Coignys liberation, and after the Terror was over they married and went to England for their honeymoon. At the end of two months they were tired of each other, came back to Paris and were divorced, and the Baronne de Montrond again resumed the name of Coigny.
ONE:IllnessLeaves Switzerland with Mme. de TessThey settle near AltonaHears of Rosalies safetyLife on the farmRelease of AdrienneHer visitFarm of PloenPeaceful life thereRosalie and AdrienneBirth of Paulines sonHe and her other children liveRelease of La FayetteTheir visit to PloenMeeting of Adrienne, Pauline, and Rosalie at the Hague.Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him. TWO:Meanwhile, those who could not believe in God, set up as their guide the abstraction they called Nature, which, if they had followed to the logical consequences, would have led them back to the state of savages. There were, in fact, some who proposed to live out of doors with very scanty clothing, and who had begun to cut down a tree and light a fire when their plans of life were suddenly frustrated by the appearance of the police.Mme. de Boufflers, Mme. de Sabran, and their families, on the other hand, were always assiduous in their attentions to her, and would refuse other invitations to go to her.
ONE:The social existence of Mme. de Genlis, writes Mme. dAbrants, [115] is always a problem difficult to resolve; it is composed of a mass of contradictions, one more extraordinary than the other. Of a noble family, whose name and alliances gave her the right to be chanoinesse of the Chapter of Alix, she was called until her marriage Comtesse de Lancy. She married M. de Genlis, a man of high rank, nearly related to most of the great families in the kingdom, and yet Mme. de Genlis had never in society the attitude of a grande dame.... The important part this woman played in the destinies of France is of such a nature that one must notice it, more especially as she denies a mass of facts, the most notorious of the time in which her name is mixed up, ... pretending never to have spoken to men of whom she must not only have been an acquaintance but a friend. Long before the first outbursts of the Revolution, Mme. de Genlis helped to prepare the influence which afterwards burst like an accursed bomb, covering with its splinters even the woman who had prepared the wick and perhaps lighted the match.

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THREE:MARIE ANTOINETTE

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THREE:When on the fte Sainte Catherine he gave a great banquet supposed to be in honour of the Empress, crystal cups full of diamonds were brought in at dessert, the diamonds being served in spoonsful to the ladies.

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ONE:About the former, who was deeply in love with her, and most anxious to make her his wife, she did not care at all. She found him tiresome, and even the prospect of being a princess could not induce her to marry him. Besides, she had taken a fancy to the Marquis de Fontenay, whom she had first met at the house of Mme. de Boisgeloup, who was much older than herself, and as deplorable a husband as a foolish young girl could choose.I have painted real princesses and they have never tormented or kept me waiting.

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THREE:They received Mme. Le Brun very kindly, and she next went to see the Comtesse de Provence, for the second and third brothers, the Counts of Provence and Artois, had taken refuge at their sisters court.It had great success at the Salon, was engraved by Müller, and was one of those amongst her works which decided Joseph Vernet, shortly after her return, to propose her as a member of the Royal Academy of Painting. She was duly elected, in spite of the opposition of M. Pierre, who was painter to the King, and a very bad painter too.

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THREE:So little did the idea of love enter into her life that until after her marriage she had never read a single novel. Then she read Clarissa Harlowe, by way of a beginning, and found it intensely interesting. Before, she only read Lives of the Saints, and various religious or instructive books.

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ONE:Mme. de Valence, whatever may have been the follies of her youth, was a woman generally beloved for her kind, affectionate, generous disposition, she was devoted to her mother and children, and Mme. de Genlis in her joy at seeing her and France again, to say nothing of the other relations and friends whose affection made so large a part of her happiness, was consoled for the sorrows of her past life.

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FORE:Catalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.

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The soldier burst into tears.[82]The death of her husband in 1834 was her last great sorrow, she survived him five years, and died in January, 1839, at the age of seventy-three, surrounded by those she loved best, who were still left her.
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