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At last, however, it was finished, and she stood in the presence of Louis XV. He was no longer young, but she thought him handsome and imposing. He had intensely blue eyes, a short but not brusque manner of speaking, and something royal and majestic about his whole bearing which distinguished him from other men. He talked a great deal to Mme. de Puisieux, and made complimentary remarks about Flicit, after which they were presented to the Queen, who was lying in a reclining chair, already suffering from the languor of the fatal illness caused by the recent death of her son, the Dauphin. Then came the presentation to Mesdames, and to the Children of France, and in the evening they went to the jeu de Mesdames.
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TWO:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.She had long renounced and repented of her proceedings of former days, and was now extremely royalist, but the daughter of Marie Antoinette was not likely to receive one who had been, if not implicated, at any rate hand-and-glove with the enemies of her mother. THREE:Catalani, then young and beautiful, was one of her new friends, and used to sing at her parties. She painted her portrait, and kept it as a pendant to the one she had done of Grassini in London.
TWO:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.as she sang these words she laid her hand upon [61] her heart and, turning to the Queens box, bowed profoundly. As this was in the beginning of the Revolution, there were many who wished to revenge themselves in consequence, and tried to force her to sing one of the horrible revolutionary songs which were then to be heard constantly upon the stage. She refused indignantly, and left the theatre. Her husband, Dugazon, the comic actor, on the contrary, played an atrocious part during the Revolution. Although he had been loaded with benefits by the royal family, especially the Comte dArtois, he was one of those who pursued them to Varennes. Mme. Le Brun was told by an eye-witness that he had seen this wretch at the door of the Kings carriage with a gun upon his shoulder. THREE:
TWO: THREE:When the affair was fully explained to her she threw herself at his feet, exclaiming
TWO:His was the leading salon of Paris at that time, and Mme. Tallien was the presiding genius there. Music, dancing, and gambling were again the rage, the women called themselves by mythological names and wore costumes so scanty and transparent that they were scarcely any use either for warmth or decency; marriages, celebrated by a civic functionary, were not considered binding, and were frequently and quickly followed by divorce. Society, if such it could be called, was a wild revel of disorder, licence, debauchery, and corruption; while over all hung, like a cloud, the gloomy figures of Billaud-Varennes, Collot dHerbois, Barre, and their Jacobin followers, ready at any moment to bring back the Terror.In the huge medi?val palace the Infanta, sister of Marie Antoinette, held her court, and to her Mme. Le Brun was presented by M. de Flavigny. THREE:I will not come here again!
Top When Louis XIV. died, people were very tired of this altered state of things. For some time they had been extremely dull and were eager for change and amusement.At last they arrived at Moudon, her father led her into a room in the inn, closed the door and began by telling her as gently as possible that he had just lost his mother, the Marchale de Noailles. He stopped, seeing the deadly paleness of his daughter, who knew by his face that he had not told all.
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