ONE:"Were you ever sea-sick, Doctor?" queried Frank. SAYONARA. "SAYONARA."
TWO:"But I will tell you a still more remarkable story of the endurance of these Japanese runners. While I was at Kioto, an English clergyman came there with his wife; and after they had seen the city, they were very anxious to go to Nara. They[Pg 113] had only a day to spare, as they were obliged to be at Kobe at a certain date to meet the steamer for Shanghai. They made arrangements to be taken to Nara and back in that timea distance, going and coming, of sixty miles. They had three men to each jin-riki-sha, and they kept the same men through the entire trip. They left the hotel at Kioto at four o'clock in the morning, and were back again at half-past eight in the evening. You couldn't do better than this with a horse, unless he were an exceptionally good one."
More than any other factor, our Talents remain fundamental to our success. We espouse a corporate culture which champions entrepreneurship, continuous learning & development, and LIFE-work priority. A career at HKBN entails Total Rewards for Talents that aren’t strictly monetary in nature. We also uphold Talents as priority number one – substantiated by how we treat our Talents with respect, offer exceptional flexibility and employment benefits, and provide them with copious opportunities to grow professionally. This Talent-first approach to business drives our capabilities to innovate and stay competitive.
TWO:[Pg 116]"The houses in Japan are so open that you can see a great deal more of the life of the people than you would be likely to see in other countries. You can see the women playing with the children, and there are lots of the little ones everywhere about. I don't believe there is a country in the world where there is more attention to the wants of the children than in Japan, and I don't believe it is possible for a greater love to exist between parents and children than one finds here. There are so many things done for the amusement of children, and the children seem to enjoy them so much, that it is very pleasing to study the habits of the people in this respect. I have already told you about the amusements at the temple of Asakusa, and the sports and games that they have there for the children. They are not only at that temple, but all over Japan, and the man must[Pg 263] be very poor to feel that he cannot afford something to make his children happy. In return, the children are not spoiled, but become very dutiful to their parents, and are ready to undergo any privations and sacrifices for their support and comfort. Respect for parents and devotion to them in every possible way are taught by the religion of the country; and, whatever we may think of the heathenism of Japan, we cannot fail to admire this feature of the religious creed.
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TWO:A TYPHOON. A TYPHOON. "In pidgin English the pronouns he, she, it, and they are generally expressed by the single pronoun he. All the forms of the first person are included in my, and those of the second person in you. When we come to the verbs, we find that action, intention, existence, and kindred conditions are covered by hab, belongey, and can do. Various forms of possession are expressed by catchee (catch), while can do is particularly applied to ability or power, and is also used to imply affirmation or negation. Thus: 'Can do walkee?' means 'Are you able to walk?' If so, the response would be 'Can do,' while 'No can do' would imply inability to indulge in pedestrianism. Belongey comes from 'belong,' and is often shortened to a single syllable, b'long. It is very much employed, owing to the many shades of meaning of which it is capable. Thus: 'I live in Hong-kong' would be rendered 'My belongey Hong-kong side,' and 'You are very large' would be properly translated 'You belongey too muchee big piecee.'
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TWO:"The fine threads of brass that run through the surface give a very pretty appearance to the work, as they look like gold, and are perfectly even with the rest of what has been laid on to the original bowl. In some of the most expensive of the enamel-work the threads are of fine gold instead of brass; but there is no particular advantage in having them of gold, as the brass answers all purposes and the gold serves as a temptation to robbers. There is an endless variety of designs in cloisonn work, and you see so many pretty things in porcelain that you are at a loss what to choose.
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