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ONE:In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.

ONE:Here, a white marble mosque with three flights of open arcades, with white domes to roof it, is paved with rectangular flags, each bordered with a fillet of black marble ending in an arch-like point, immovable prayer-carpets turned towards Mecca. Behind the marble lattices that form one wall of this mosque, the women of the zenana come to hear the moollah recite prayer.At our feet lay old Gwalior, sacked again and again, and as often rebuilt out of its own ruins;[Pg 202] and now the princely residences, all of marble wrought in almost transparent lacework, serve to shelter wandering cattle.

ONE:

ONE:Behind a ponderous wall, dinted all over by shot, and showing broad, light patches once covered by earthenware tiles, is the palace of Runjeet Singh, inlaid with enamelled pictures in green, blue, and yellow of tiger-fights and horse-races, mingling with flowers and garlands of boughs. The durbar, the hall or presence chamber, opens by a verandah on a forecourt paved with marble; in its walls are mirrors and panels of coloured glass over a ground of dull gold, agate-like tints iridescent with a nacreous, silvery, luminous lustre.

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THREE:Still the tonga; uphill and down, over the hilly country, with a horizon of dull, low mountains, and the horses worse and worse, impossible to start but by a storm of blows. Towards evening a particularly vicious pair ended by overturning us into a ditch full of liquid mud. The sais alone was completely immersed, and appealed loudly to Rama with shrieks of terror. Abibulla on his part, after making sure that the sahibs and baggage were all safe and sound, took off his shoes, spread his dhoti on the ground, and made the introductory salaams of thanksgiving to the Prophet, while the coolie driver returned thanks to Rama.DOMEL

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ONE:A tea-party in the afternoon at the yacht club. The ladies in smart dresses, the talk all of fashionable gossip��how far away from all I had been seeing. An European atmosphere, where a touch of local colour was only suggested by the native servants. The plague, the ruling terror when I was last in Bombay, was forgotten; the only subject now was the Jubilee, and the latest news from England arrived by that day's mail.

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THREE:A wide avenue paved with marble, rising in broad steps, crosses the hilltop between temples on either side, intersecting narrower alleys, likewise bordered with pagodas crowded together in the inextricable mazes of a labyrinth, whence our guides were frequently required to lead us out��temples crowned with a cupola or a cone, a bristling throng of little extinguishers all covered with carving. The same subjects and patterns are repeated to infinity, even in the darkest nooks: figures of gods, of gigantic beasts rearing or galloping, of monstrous horses and elephants, of tiny birds sheltering the slumbers of the gods under their outspread wings.Another fakir, a young man, had come to sit at the elder's feet, and when I had finished my business the "holy man" began to knead his disciple's muscles, wringing and disjointing his arms and dislocating his left shoulder; and, as if in mockery of my distressed expression, he bent the lad's back inwards till his face was between his heels, and left him for a long minute in that torturing position.

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THREE:This, then, is the malady of the appalling name��the Plague��hardened glands in the throat or under the arm; the disease that gives its victim fever, sends him to sleep, exhausts, and infallibly kills him.Inside the mausoleum numberless lustres hang from the roof, and fine large standing lamps with crystal pendants burn round two tombs covered with antique hangings and wreathed with jasmine; beneath these lie the two last kings of Oudh. Small models of two famous mosques, one in gold and one in silver, are placed on the tombs, round which a whole regiment of obsequious moollahs and beggars mount guard. On the walls childish paintings, representing scenes of the Anglo-Indian conflict, alternate with mirrors in gilt frames, and silk standards exquisitely faded, embroidered with dim gold and silver, and surmounted by tridents.

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THREE:There was always the same torture of the horses, too small and too lean for their work, galloping the five miles of the stage and then stopping dead on the spot, incapable of moving, hustled by the fresh team that rushed off on its wild career.

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THREE:

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ONE:All round the mosque, in narrow alleys, are more and yet more tombs, strewn with roses and enclosed in little plots. Some stand out in the street unenclosed, like milestones.

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ONE:

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THREE: