TWO:The next and perhaps the most important point in favour of Epicureanism is its theory of pleasure as the end of action. Plato had left his idea of the good undefined; Aristotle had defined his in such a manner as to shut out the vast majority of mankind from its pursuit; the Stoics had revolted every instinct by altogether discarding pleasure as an end, and putting a purely formal and hollow perfection in its place. It must further be admitted that Epicurus, in tracing back justice to the two ideas of interest and contract, had hold of a true and fertile principle. Nevertheless, although ethics is his strongest ground, his usual ill-luck pursues him even here. It is where he is most original that he goes most astray. By reducing pleasure, as an end of action, to the mere removal of pain, he alters earlier systems of hedonism for the worse; and plays the game of pessimism by making it appear that, on the whole, death must be preferable to life, since it is what life can never bea state of absolute repose. And by making self-interest, in the sense of seeking nothing but ones own pleasure or the means to it, the only rule of action, he endangers the very foundations of society. At best, the selfish system, as Coleridge has beautifully observed, stands in a similar relation to the law of conscience or universal selfless reason, as the dial to the sun which indicates its path by intercepting its radiance.210 Nor is the indication so certain as Coleridge admitted. A time may come when116 self-sacrifice shall be unnecessary for the public welfare, but we are not within a measurable distance of it as yet.
THREE:But it was only Mamie whimpering and crying for her. The child was awake and sitting up in bed, whilst the nurse still slept. Mamie was hot and feverish.Plato had begun by condemning poetry only in so far as it was inconsistent with true religion and morality. At last, with his usual propensity to generalise, he condemned it and, by implication, every imitative art qua art, as a delusion and a sham, twice removed from the truth of things, because a copy of the phenomena which are themselves unreal representations of an archetypal idea. His iconoclasm may remind us of other ethical theologians both before and after, whether Hebrew, Moslem, or Puritan. If he does not share their fanatical hatred for plastic and pictorial representations, it is only because works of that class, besides being of a chaster character, exercised far less power over the Greek imagination than epic and dramatic poetry. Moreover, the tales of the poets were, according to Plato, the worst lies of any, since they were believed to be true; whereas statues and pictures differed too obviously from their originals for any such illusion to be produced in their case. Like the Puritans, again, Plato sanctioned the use of religious hymns, with the accompaniment of music in its simplest and most elevated forms. Like them, also, he would have approved of literary fiction when it was employed for edifying purposes. Works like the Faery Queen, Paradise Lost, and the Pilgrims Progress, would have been his favourites in English literature; and he might have242 extended the same indulgence to fictions of the Edgeworthian type, where the virtuous characters always come off best in the end.
THREE:We trust that the steps of a difficult argument have been made clear by the foregoing analysis; and that the whole process has been shown to hinge on the ambiguous use of such notions as the individual and the community, of which the one is paradoxically construed as a plurality and the other as a unity; justice, which is alternately taken in the sense of control exercised by the worthiest, control of passion in the general interest, control of our passions in the interest of others, and control of the same passions in our own interest; and wisdom or reason, which sometimes means any kind of excellence, sometimes the excellence of a harmonious society, and sometimes the excellence of a well-balanced mind. Thus, out of self-regarding virtue social virtue is elicited, the whole process being ultimately conditioned by that identifying power which was at once the strength and the weakness of Platos genius.
- Justine Goliyad
- Justine Goliyad
- Justine Goliyad