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Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near.
Expose
ONE:In the evening to the theatrea Parsee theatre; a large tent, reserved for women on one side by a hanging of mats. The public were English soldiers and baboos with their children, and in the cheapest places a packed crowd of coolies.

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TWO:Coolies in white turbans were busy round the machines. They are very skilful, but work with determined slowness as a mute rebellion against the humiliating coercion of obeying a thing of wood and iron, and above all of obeying it without stopping, for the ideal of every Hindoo is to do nothing. And this rose to positive martyrdom when, in the absence of our own servants, who were nowhere to be found, one of these craftsmen, a Brahmin, strictly forbidden by his religion ever to touch the food of the disbelievers, or even the[Pg 294] vessels they use, was obliged to make tea for us. Looking utterly miserable, the poor fellow weighed out the leaves, put them into little antique earthenware pots, and poured on the boiling water. A sand-glass marked how long the infusion was to stand. He even brought us some pretty little crackle basins that looked as if they had come out of some old-world convent pharmacy; but the poor man could not bring himself to pour the tea outhe fled.

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TWO:The long table was filled with officials and their wives, as happy as childrenpulling crackers at dessert, putting on paper caps, singing the latest music-hall nonsense; while outside, jackals whined, suddenly coming so close that they drowned the voices and the accompaniment on the piano.
FORE:Under an arcade, lightly tinted with faded colours, and supporting a heavy stone roof elaborately carved, a marble bull stands facing the well which Vishnu touched when he came down from heaven. This is the Court or Well of Wisdom.The attendants threw water on the pauper's pyre, and then with their long bamboos pushed the mass of burnt wood and flesh into the Ganges, where it looked like some enormous black frog with a white patch for the head.

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FORE:The natives, to keep their money safeit is always in coin, never in paper, which is not much trusted in these partseither bury it or have it wrought into trinkets, worn by the women and children. Quite little ones of five or six, and perfectly naked, have round their neck sometimes three or four strings of gold pieces, or pierced silver rods as thick as a fingerand then one evening the child does not come home, and in some dark corner the poor little body is found bleeding, the jewels gone.There was a children's garden-party to-day in the grounds of the English Resident; a crowd of fair-haired babies, excessively Greenaway in their long, light frocks with bright-hued sashes. They shouted with joy at the swings and wooden horses, clapping their hands when it came to their turn to ride the elephant that marched about the parkso fair, so bright, with their nurses or Indian ayahs wrapped in crude showy muslins.

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FORE:Here again the cars of the gods were neglected in the open air, and one of them, older than the rest, was fast being transfigured into a pyramid of shrubs and flowers.

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FORE:A causeway of white stone, with a fragile [Pg 234]balustrade and columns bearing lanterns of gold, leads from the shore to the temple."It is made at thirty-five, twenty, fifteen rupees."

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FORE:While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain.And certainly the most comical of all is the representation of a baboo donor, to whom two servants, prostrate before him, are offering a glass of water.

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FORE:All the men carry fighting quails in little cages made of a net stretched over a wooden tray and cone-shaped at top. Towards evening, in the shade of the houses, at the street corners, in the courtyardseverywhere, there is a group betting on the chances of a fight. The birds taken out of the cages at first turn slowly round each other, their beaks close together. Then a spring, a flutter of wings and flying feathers; the quails strike and peck, aiming at the head, and then suddenly they seem quite indifferent and turn round and round again, picking up grain from the ground. When a[Pg 284] bird is killed at the end of a battle, its eyes blinded and its breast torn open, it is considered a fine, a noble spectacle, and amateurs will talk of it for a long time. As a rule, after a few rounds one of the birds tries to get away. Then its owner pricks its neck with a knife, and the gasping creature dies slowly in the dust, the blood oozing drop by drop.

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TWO:Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.There are two towns of Peshawur: one a distracted, silly place, with no beginning nor end, straggling along something in the manner of Madras, with an embryonic bazaar and all the amusements demanded by soldiers; the other enclosed in walls of dried mud, which are preserved only "to protect the town from robbers."

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THREE:[Pg 25]Everything seems fused in a haze under the sun, as it grows hotter and hotter, and in that quivering atmosphere looks like a mass in which red and white predominate, with the persistent harmony of motion of the swaying, barefooted crowd.

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THREE:"No."

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THREE:The sweepers, the saises, the bearers, the whole tribe of noisy, idle servantsmen, women, and childrenall sleep out of doors in the hotter weather. And all day long the camp-bed, the two mats, and half a dozen pots, which constitute the[Pg 285] whole furniture of a family, move round the house with the shade, only settling down after dark.

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THREE:The maiden was placed on a very high pile of saplings and dry crackling boughs. Her father fetched the sacred fire, and then, with the same ceremonials and prayers, set light to the wood, which flashed up in a golden glow with a sweet odour. The flame rose clear against the sky for a long time before the smell of her burnt flesh mingled with that of the poor woman, whose limbs, under the action of the heat, seemed to stretch to an inordinate length. One arm, sticking out from the fire, seemed to clench its fist, which was bright yellow, as if it would clutch at something; and then all was consumedthe wood pile fell in, the skull cracking with a dull snap, and nothing was left but a heap of embers, into which the attendants raked the cinders that rolled down the sloping bank.Below one of the palaces is a huge statue of Vishnu Bhin in a reclining attitude, daubed with ochre, the face flesh-colour and white; a statue which is carried away every year by the floods and restored every year in its pristine grossness.
TWO:Japanese girls, too, in every possible hue, with piles of tinsel and flowers above their little flat faces all covered with saffron and white paint; little fidgeting parrakeets flitting from window to window, and calling to the people in the street in shrill, nasal tones.Bombay, towering above the sea in a golden glorythe tall towers and minarets standing out in sharp outline against the sky, splendid in colour and glow. Far away Malabar Hill and a white speckthe Towers of Silence; Elephanta, like a transparent gem, reflected in the aqua-marine-coloured water.

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MADRASA palankin, hung with heavy red curtains, went by very quickly, borne by five men. They chanted a sort of double-quick march, marking the time with a plaintive sigh and a slight bend of the knees, which gave their pace the appearance of a dance, the litter swaying very gently.All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.
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