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As the sun sank the citadel absorbed the gold and purple glory, and looked as though it were of some translucent half-fused metal; the towers and temples with their decoration of tiles blazed[Pg 204] against the pure sky. High over Mandir a little balcony with spindle columns, overhanging the precipice at a giddy height, caught the last rays of Surya, and flashed with a gem-like gleam above Gwalior, which was already shrouded in the blue haze of night.A long train of wailing women, loud in lamentation, came slowly out of a house where one lay dead whom they had just been to look at, on their way now to wash their garments, defiled by contact with the body. But all dressed in red, with gaudy embroidery in yellow, white, and green, and large spangles of looking-glass glittering in the sun, they did not look much like mourners.
ONE:Under each plate, a large square cut out of a banana leaf serves as a finger-napkin. Innumerable are the dishes of sweetmeats made with ghee (clarified butter), the scented ices, the highly-coloured[Pg 18] bonbons; while the young couple walk round the rooms, and hang garlands of flowers about the necks of the feasters.

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TWO:In the town is the tomb of the Ranee Sipri: walls of lace, balconies of brocade carved in stone. Opposite this mausoleum are an open mosque and two minarets as slim as sapling pines, wrought with arabesques as fine as carved ivory. There are lamps carved in relief on the walls, each hung by chains under-cut in stone with Chinese elaboration; and this lamp is everywhere repeatedon the mosque, on the tomb, and on the base of the minarets. The building, which has the faintly russet tone of old parchment, when seen in the glow of sunset takes a hue of ruby gold that is almost diaphanous, as filmy as embroidered gauze.

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TWO:At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.Children were selling whortleberries in plaited baskets; they came up very shyly, and as soon as they had sold their spoil hurried back to hide in their nook. Further on a little Afghan boy, standing alone and motionless by the roadside, held out three eggs for sale.

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TWO:Adjacent to this temple was the court-house, a hall of ancient splendour in the time of the kings of Kandy. It stood wide open, the walls lined with carved wood panels. The court was sitting under the punkhas that swung with regular monotony, the judges robed in red. One of the accused, standing in a sort of pen, listened unmoved to the pleading. A large label bearing the number 5 hung over his breast. Behind a barrier stood other natives, each decorated with a number, under the charge of sepoys. One of them, having been wounded in the murderous fray for which they were being tried, lay at full length on a litter covered with pretty matting, red and white and green, stretched on bamboo legs. A long robe of light silk enveloped his legs, and he alone of them all had charming features, long black eyes with dark blue depths, his face framed in a sort of halo of silky, tangled hair. He, like the man now being sentenced and those who had gone through their examination,[Pg 129] seemed quite indifferent to the judges and the lawyers. He mildly waved a palm leaf which served him as a fan, and looked as if he were listening to voices in a dream, very far away.THE END

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ONE:Further on, in the temple stables, open to the sky and surrounded by a colonnade of carved and painted pillars, some women, in silken sarees of dark hues, were waiting on the bulls and the tiny zebu cows, feeding them with the flower offerings strewn on the mosaic pavement of the courtyard."Nautch-girls for tourists, like Europeans," said my Indian servant Abibulla. "Can-can dancing-girls," he added, with an air of triumph at having shown me a wonder.

We believe ideas come from everyone, everywhere. In fact, at BlackTie, everyone within our agency walls is a designer in their own right. And there are a few principles we believe—and we believe everyone should believe—about our design craft. These truths drive us, motivate us, and ultimately help us redefine the power of design. We’re big believers in doing right by our neighbors. After all, we grew up in the Twin Cities and we believe this place has much to offer. So we do what we can to support the community we love.

Over the past four years, we’ve provided more than $1 million in combined cash and pro bono support to Way to Grow, an early childhood education and nonprofit organization. Other community giving involvement throughout our agency history includes pro bono work for more than 13 organizations, direct giving, a scholarship program through the Minneapolis College of Art & Design, board memberships, and ongoing participation in the Keystone Club, which gives five percent of our company’s earnings back to the community each year.

ONE:

To achieve real change, we have to expand boundaries. Because the Wild West of what-could-be is unexplored but rife with opportunity.



TWO:After her another woman repeated the ceremony, and then they went away, still singing. This went on for part of the evening. When it was all over they went to eat rice at the bridegroom's house, and meanwhile the same ceremony had been performed with the bride, whom her neighbours had taken it by turns to anoint and perfume, in a house closed against prying eyes.An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.

Employees and consumers. Two halves of a brand’s entirety, the whole of a brand’s audience. Sometimes these two halves have very different viewpoints, creating a weak spot in the brand story. Weakness tarnishes credibility. Brands that aren’t credible aren’t viable.

We squash weakness by designing the whole brand story. It’s crafted around the truism held by employees and consumers to create an experience that connects from the inside out.

By being true to the brand we represent, we elevate the audiences’ relationship to it. Like becomes love becomes a passion. Passion becomes advocacy. And we see the brand blossom from within, creating a whole story the audience embraces. That’s when the brand can truly flex its muscles.

TWO:Then a fat native lawyer began to speak, and silence fell on the crowd of three or four hundred listeners sitting behind the accused, as if they were in church. The monotonous voice went on and on, urging every plea."And how many die every day?"

ONE:Out in the street a woman, bare-backed, was submitting to be brushed down the spine by a neighbour with a brush of cuscus; she scorned to answer me when I asked whether she felt better, but shutting her eyes desired the operator to go on more slowly.

To develop a deeper and more meaningful connection with consumers, we believe design must invite them to take part in the conversation.

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ONE:



FORE:

Mike combines an expert technical knowledge with a real eye for design. Working with clients from a wide range of industries, he fully understands client objectives when working on a project, large or small.


FORE:Further yet lay the artificial lake of Meer Alam, reflecting the palace of Baradari and the russet plain, infinite as far as the eye could reach towards the north, where other superb mausoleums were visible in their whiteness.Here in southern India the women wear hardly any trinkets, and their garb consists of sarongs and sarees, so thin that their shape is visible through the light stuff. In their hair, which is knotted low on the neck, they stick flowers, and occasionally light trailing sprays fall down on the throat. They all have gold studs screwed into the two upper front teeth; hideous are these two red-gold teeth among the others, sound and white under young lips!

Tim is an experienced marcoms practitioner and manages projects from inception to delivery. He understands the synergy between great design and commercial effectiveness which shines through on every project.


FORE:

Be a creative director is a hard task, but Michele loves what she does. Her combination of knowledge and expertise is an important pillar in our agency.


FORE:

Jaye began making websites when animated logos and scrolling text were cool, but has since found a love for simplicity, creating websites that are a pleasure to browse. Monkey Island Fan.

TWO:

Do you want to be one of use? Sure you want, because we are an awesome team!. Here we work hard every day to craft pixel perfect sites.

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ONE:Not far from Ahmedabad, in a sandy desert[Pg 62] where, nevertheless, a few proliferous baobabs grow, there is a subterranean pagoda drowned in stagnant water that has filled three out of the six floors. These are now sacred baths, in which, when I went there, Hindoos were performing their pious ablutions. Sculptured arcades, upheld by fragile columns, skirt the pools; the stones are green under the water, and undistinguishable from the architecture reflected in the motionless surface that looks blue under the shadow of the great banyan trees meeting in an arch over the temple. A sickly scent of lotus and sandal-wood fills the moist air, and from afar, faint and shrill, the cries of monkeys and minah-birds die away into silence over the calm pool.

From the purely practical to the richly philosophical, design is the solution to a host of challenges.



ONE:The doors were shut; all was silencethe stillness of the star-lit night.


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ONE:[Pg 136]To the right of the forecourt is the high priest's room; lustres, glass shades, gilt chairs, coloured photographs, incongruously surrounding an antique silk carpet, soiled and stained.

There’s more to design than meets the eye. It’s when it meets the heart that design creates a meaningful, lasting connection with the audience.



ONE:Every house in the town was shuttered, not a soul was to be seen in the baked streets; only here and there in a shady corner a beggar might be seen asleep. A chigram only was slowly moving along at the slow pace of two draught oxen, carrying the women of a zenana, and their constant chatter[Pg 300] within the curtains of the clumsy vehicle sounded formidably loud and discordant in the silence, the death-like exhaustion of noon. A foxy smell came up from everything that the sun was baking, and towards the end of the day it had become intolerable, corpse-like. It died away, however, after sunset.



FORE:In the centre of the modern fort, a belt of walls with gates that form palaces under the arches, is the ancient residence of the Moguls. Beyond the barracks full of native and English soldiers, we reached the cool silence of the throne-room. Colonnades of red stone surround a throne of white marble inlaid with lilies in carnelian on tall stems of jasper. All round this throne, to protect it from the tourists, but also as if to emphasize its vanity, is a railing.
Published Aug 30.
TWO:DERWAL

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

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FORE:In every house a tiny lamp allowed us to see the women, squatting while they pounded millet, or cooked in copper pots. Then night suddenly fell, and I could no longer find my way about the dark alleys, stumbling as I went over cows lying across the path, till I suddenly found myself opposite a very tall pagoda, three storeys high. On the threshold the bonzes were banging with all their might on gongs and drums, alternately with bells. And on the opposite side of the street, in a sort of shed enclosed on three sides, but wide open to the passers-by, people in gay robes were prostrate before two shapeless idols, Krishna and Vishnu, painted bright red, twinkling with ornaments of tinsel and lead-paper, and crudely lighted up by lamps with reflectors. And then at once I was between low houses again, and going down tortuous streets to the river-bed,[Pg 48] whither I was guided by the sound of castanets and tambourines.
Published Aug 28.
TWO:

Armed with insight, we embark on designing the right brand experience that engages the audience. It encompasses both the strategic direction and creative execution that solves a business problem and brings the brand to life.

In the create phase, the big idea is unleashed to the world through different media touchpoints. This is when we watch the audience fall in love all over again with our client’s brand.

Read More




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As the sun sank the citadel absorbed the gold and purple glory, and looked as though it were of some translucent half-fused metal; the towers and temples with their decoration of tiles blazed[Pg 204] against the pure sky. High over Mandir a little balcony with spindle columns, overhanging the precipice at a giddy height, caught the last rays of Surya, and flashed with a gem-like gleam above Gwalior, which was already shrouded in the blue haze of night.A long train of wailing women, loud in lamentation, came slowly out of a house where one lay dead whom they had just been to look at, on their way now to wash their garments, defiled by contact with the body. But all dressed in red, with gaudy embroidery in yellow, white, and green, and large spangles of looking-glass glittering in the sun, they did not look much like mourners.

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As the sun sank the citadel absorbed the gold and purple glory, and looked as though it were of some translucent half-fused metal; the towers and temples with their decoration of tiles blazed[Pg 204] against the pure sky. High over Mandir a little balcony with spindle columns, overhanging the precipice at a giddy height, caught the last rays of Surya, and flashed with a gem-like gleam above Gwalior, which was already shrouded in the blue haze of night.A long train of wailing women, loud in lamentation, came slowly out of a house where one lay dead whom they had just been to look at, on their way now to wash their garments, defiled by contact with the body. But all dressed in red, with gaudy embroidery in yellow, white, and green, and large spangles of looking-glass glittering in the sun, they did not look much like mourners.


THREE:In a consecrated hall we came to a plaster image of a camel modelled over stone. To prove that you are without sin you must be able to pass under the beast, or at least between the front legs and the girth of the belly without touching any part; and so very narrow is this little gateway of Ja?n virtue that, to preserve my character in the presence of my escort, I did not attempt it.

Some Address 987, NY
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BlackTie Agency

THREE:There are closed carriages, victorias, vehicles with a red canopy drawn by oxen, the shafts set at an angle. The drivers bawl, shout to the porters, fight for the fare with their whips, while, overhead, kites and hawks wheel incessantly, uttering a plaintive cry.Then, suddenly, there was a clatter of tom-toms, and rattling of castanets, a Hindoo funeral passing by. The dead lay stretched on a bier, his face painted and horrible, a livid grin between the dreadful scarlet cheeks, covered with wreaths of jasmine and roses. A man walking before the corpse carried a jar of burning charcoal to light the funeral pile. Friends followed the bier, each bringing a log of wood, to add to the pyre as a last homage to the dead.

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THREE:Under a loggia, flowery with mosaics of jasper and carnelian, the emperor, seated on a white marble throne embroidered with carving, administered justice. At his feet, on a raised stone flag, the divan, his prime minister took down the despot's words, to transmit them to the people who were kept at a respectful distance under a colonnade, forming a verandah round the imperial palace.

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FORE:The road from Cawnpore to Gwalior makes a bend towards central India across a stony, barren tract, where a sort of leprosy of pale lichen has overgrown the white dust on the fields that are no longer tilled. There is no verdure; mere skeletons of trees, and a few scattered palms still spread their leaves, protecting under their shade clumps of golden gynerium.
At the back of the shops, which lie lower than the street, we could see men trampling in vats all[Pg 261] day long; they were stamping and treading on old woollen shawls, fulling them to take off the shiny traces of wear, to sell them again as new goods.As we passed the sacred tanks, where a smell of decay filled the air that still rang with the cries of the bats, our horses suddenly shied and refused to go forward, terror-stricken by some invisible danger suggested to them by that reiterated shriek or the corpse-like smell. A very long minute passed as we sat in the carriage, a minute of dread that left us quite excited by this mysterious peril of which we had somehow felt the awe. Nor was it till we had left the great trees by the tanks behind us that the impression wore off under the comforting light of the stars.The subterranean passage leading from the empress's rooms to the mosque, has in the roof a thick flagstone that admits a subdued glimmer as through amber or honey, lighting up all one end of the dark corridor.[Pg 89]In front of the palace, beds filled with common plants familiar in every European garden fill the place of honour; they are very rare, no doubt, in[Pg 54] these latitudes, and surprising amid the gorgeous hedges of wild bougainvillea that enclose the park.
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