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ONE:SIR SAMUEL ROMILLY.Goldsmith was in his poetry, as in his prose, simple, genuine, and natural. His "Deserted Village" and "Traveller" were in the metre of Pope, but they were full of the most exquisite touches of pathos, of truth, and liberty; they were new in spirit, though old in form. Charles Churchill, the satirist, was full of flagellant power. He has been said to have formed himself on Dryden; but it is more probable that his models were Lucian and Juvenal. He was a bold and merciless chastiser of the follies of the times. He commenced, in the "Rosciad," with the players, by which he stirred a nest of hornets. Undauntedly he pursued his course, attacking, in "The Ghost," the then all-powerful Dr. Johnson, who ruled like a despot over both literary men and their opinions. These satires, strong and somewhat coarse, were followed by "The Prophecy of Famine," an "Epistle to Hogarth," "The Conference," "The Duellist," "The Author," "Gotham," "The Candidate," "The Times," etc. In these Churchill not only lashed the corruptions of the age, but the false principles of nations. He condemned the seizure of other countries by so-called Christian powers, on the plea of discovery. It was only to be lamented that Churchill, who was a clergyman, in censuring his neighbour's vices did not abandon his own.
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