TWO:As we returned past a villagea hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinksa perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.
日本化学機械製造は、国内外に豊富な実績を持つプラントエンジニアリングとものづくりのプロフェッショナル集団です。
設計?製造?建設?メンテナンスまで自社一貫で担い、
顧客企業様の課題を解決するベストパートナーであるために日々前進し続けています。
オンリーワンの技術を武器に、私たちと一緒にあらゆる分野のプラントエンジニアリングに挑戦してみませんか。
- THREE:
- THREE:A rosy light flooded the whole scene with fiery radiance, and then suddenly, with no twilight, darkness blotted out the shape of things, drowning all in purple haze; and there, where India had vanished, a white mist rose from the ocean that mirrored the stars.Outside, under a thatched screen, sits the punkah coolie, his legs crossed, the string in his hand; and as soon as everyone goes into the room he wakes up, rocks his body to and fro, his arm out in a fixed position, swaying all of a piece with a mechanical see-saw, utterly stupid. He will go to sleep lulled by his own rocking, and never wake unless the cord breaks, or somebody stops him.
TWO:And there are ruins all the way to Delhi, whither we returned by the old fortress of Purana Kila, with its pink walls overlooked by a few aerial minarets and more traces of graceful carving, the precursors of the Divan i Khas and Moti Musjid the Pearl Mosque.One after another I made my salaam to Siva, seated on a peacock; to Ganesa, looking calm and knowing; to Parvati, riding a bull; to Siva again, this time pinning a dragon to the ground with a fork, a writhing reptile with gaping jaws and outspread wings; the same god again, with a child in[Pg 121] his arms; and again, holding his leg like a musket up against his shoulder with one of his four hands, the other three lifting a bull, a sceptre, and a trophy of weapons above his head.
TWO:
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TWO:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.