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Her great uncle, the old Marchal de Mouchy, had never left the King on the terrible day of the 20th of June, but had stood by him making a rampart of his own body to protect him from the hordes of ruffians who were invading the palace; her father, on hearing of these events, had left his refuge in [230] Switzerland and hurried back to the King; so did her cousin, the Prince de Poix. Both of them had sympathised with the earlier Liberal ideas at first; but now, horrified at the fearful development of their principles, they bitterly regretted their folly and came to place their lives at the service of their King.

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FORE:For Mme. Le Brun had so brought up the girl that it would have been a miracle if she had not turned out, as she did, utterly selfish, vain, and heartless.

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FORE:They also made expeditions to several other castles in the neighbourhood, which belonged to the family, amongst others that of Beaune and the ancient castle of Montagu.

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FORE:The whole affair was an exact specimen of the mingled extravagance, folly, vice, and weakness which were leading to the terrible retribution so swiftly approaching.No; what is the good? I shall not wear them. We are not going to a fte.

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ONE:
TWO:THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.In 1786 Mme. Le Brun received an invitation to paint the portrait of Mme. Du Barry, the once lovely and all powerful favourite of Louis XV. With great curiosity she went down to the chateau of Louveciennes, given to his mistress by the late King, where she still lived in luxury but almost in solitude, for of the courtiers and acquaintances who [74] had crowded round her in the days of her prosperity scarcely any remembered her now.

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ONE:She dressed, and doing all she could to remove the traces of tears, she prepared, in spite of her husbands remonstrances, to go to her sister, sat with her, talked with apparent cheerfulness, but exhausted by the effort, fell fainting to the ground, when she left her room.
FORE:Returning home one day after dinner with Diderot, dAlembert, Helvetius, and others of their set, he seemed to be so out of spirits that his wife asked if anything were the matter.The Marquis was celebrated for his good looks, and was very rich; but her marriage with him was disastrous for the son and daughter of her first husband, to whom she took a violent and unnatural dislike. She sent her son to America to get rid of him when he was thirteen, and when he arrived there he escaped to Canada, took refuge with the Indians, and made them understand that he had been abandoned by his mother and wanted to live with them, to which they consented on condition of his being tattooed all over.

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FORE:I have painted real princesses and they have never tormented or kept me waiting.The life at Belle Chasse was, as she says, delicious. She had supreme authority, she was dispensed from the trouble of paying visits to any one but [403] Mme. de Puisieux; she had her mother and children to live with her; her husband and brother had posts in the household of the Duc de Chartres.

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FORE:It was not Paulette, explained Leclerc, he would be distressed to leave her, but she would be safe and surrounded by her family. It was his young sister, now at school at Mme. Campans, whom he could not leave unprotected, perhaps for ever. I ask you, General, how can I?

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ONE:What are you doing here? We have just proscribed you!

THREE:The Comtesse de Provence was delighted to see Mme. Le Brun again, and arranged various excursions, which they made together into the mountains, in spite of the intense heat, for the summer was at its height. After spending some time in Turin, Signor Porporati offered to lend Mme. Le Brun a farm in the country, where he had a few rooms furnished for himself, and where he used often to go in hot weather. This exactly suited her, for the heat was overpowering, her little girl was made quite ill by it; and with joyful haste, she, with the governess, child, and servants, established themselves amongst the meadows, woods, and streams which surrounded the farm house.

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THREE:When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her returnwhen she finished it.

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Who do you mean.The King associated all his grandchildren with Mme. Du Barry just as he had his daughters with the Duchesse de Chateauroux and her sisters de Nesle, [188] and affairs went on at court much in the usual way until, in 1774, he caught the small-pox in one of his intrigues and died, leaving a troubled and dangerous inheritance to the weak, helpless, vacillating lad, who had neither brains to direct, energy to act, or strength to rule.The most important part of the tour to Mme. Le Brun was her visit to Antwerp, then a medi?val city of extraordinary beauty and interest, which have only, in fact, of comparatively recent years been destroyed by the vandalism of its inhabitants. So striking was its appearance, with its walls, gates, and forest of towers rising from the broad Scheldt, that Napoleon, enchanted with its beauty, said it looked like an Arab city, and he gazed upon it with admiration.He sent a number of the printed copies of his opinion on the Kings trial, desiring that some might be forwarded to England. It was as follows:One of her first portraits was that of the Polish Countess Potocka who came with the Count, and directly he had gone away said to Mme. Le Brun: That is my third husband, but I think I am going to take the first back again; he suits me better, though he is a drunkard.
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