TWO:"It is a multiform world," replied the Clockwork man (he had managed to fold his arms now, and apart from a certain stiffness his attitude was fairly normal). "Now, your world has a certain definite shape. That is what puzzles me so. There is one of everything. One sky, and one floor. Everything is fixed and stable. At least, so it appears to[Pg 145] me. And then you have objects placed about in certain positions, trees, houses, lamp-postsand they never alter their positions. It reminds me of the scenery they used in the old theatres. Now, in my world everything is constantly moving, and there is not one of everything, but always there are a great many of each thing. The universe has no definite shape at all. The sky does not look, like yours does, simply a sort of inverted bowl. It is a shapeless void. But what strikes me so forcibly about your world is that everything appears to be leading somewhere, and you expect always to come to the end of things. But in my world everything goes on for ever."Gholson brought the mulatress. In the feeble rays of an old tin lantern, on some gunny-sacking that lay about the gin-room floor, sat old Dismukes cross-legged and smiling, with arms folded and revolver dangling from his right hand, at full cock. On one side crouched Harry and I, on the other side Gholson and the slave woman. Facing him, half sat, half knelt Oliver, bound hand and foot, and gagged with his own knotted handkerchief. The lantern hung from a low beam just above his face; his eyes blazed across the short interval with the splendor of a hawk's. The dread issue of the hour seemed all at once to have taken from his outward aspect the baser signs of his habits and crimes, and I saw large extenuation for Charlotte's great mistake. From the big Colonel's face, too, the heaviness of drink was gone, and its smile grew almost fine as he spoke.
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