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Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.

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Tallien had saved her life twice, and she had given him her youth and beauty and fortune; she probably thought they were quits. Her connection with him had lasted five years, and now her passion both for him and for the Revolution had burnt [343] itself out, she was in all the splendour of her beauty and not more than five-and-twenty years old. Most of her life lay before her.Their aunt, the Mar��chale de Mouchy, called then the Comtesse de Noailles, was about this time appointed first lady of honour to the Archduchess Marie Antoinette of Austria, whose approaching marriage with the Dauphin was the great event of the day; and was sent with the other distinguished persons selected to meet her at the frontier. This alliance was very unpopular with the royal family and court, who disliked Austria and declared that country to be the enemy of France, to whom her interests were always opposed. Madame Ad��la?de especially, made no secret of her displeasure, and when M. Campan came to take her orders before setting off for the frontier with the household of the Dauphin, she said that she disapproved of the marriage of her nephew with the Archduchess, and if she had any order to give it would not be to fetch an Austrian.

THREE:A few minutes later the Countess said that Mme. Le Brun��s painting blouse was so convenient she wished she had one like it; and in reply to her offer [120] to lend her one said she would much rather Mme. Charot made it, for which she would send the linen. When it was finished she gave Mme. Charot ten louis. 19 August 2015, John Doe

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THREE:Those who were going to their death, dined [328] cheerfully for the last time with their companions, and bade them a brave and cheerful farewell.Only a few years since, the chronicler Barbier had remarked, ��It is very apparent that we make all Europe move to carry out our plans, and that we lay down the law everywhere.�� [2] 19 August 2015, John Doe

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THREE:The Queen, too indolent to write to them separately, on one occasion when she was at Compi��gne and they at Versailles, wrote as follows:�� 19 August 2015, John Doe

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THREE:Of their entry into Paris, he says�� 19 August 2015, John Doe

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THREE:The wanderings and perils of Pauline were now at an end. From henceforth her home was with her husband and four children in the old chateau of Fontenay, which they repaired and put in order. It was a fortress built in the reign of Charles VI., and afterwards inhabited and decorated by the Duc d��Epernon. The great tower of the castle still bore his name, and the blue and gold ceiling of his bedroom still remained. It had an immense park and lakes, and a great avenue of chestnut-trees led up to the chateau. The Abb�� Cartier, cur�� of Fontenay, was a man after her own heart. He had known her mother, for he came very young to the parish, which he loved with all his heart, and which he had only once left, on the approach of a revolutionary mob. Leaving the presbyt��re with all his own things at their mercy, he hid the cross and all the [263] properties of the church, and as to the statues of the saints which he could not remove, he painted them all over, turning them into National Guards with swords by their sides. He was only persuaded by his people to escape when already the drums of the approaching ruffians were heard in the village, in which they quickly appeared, and rushed into the church. But they found it empty, except for the statues, with which, in their republican garb, they dared not meddle, so they turned their fury upon the presbyt��re, and when the good Abb�� returned he found the church uninjured, but all the contents of his house stolen or destroyed. As far as possible, M. and Mme. de Montagu led the simple patriarchal life they preferred at Fontenay, where they were adored by the people, to whom they devoted their time, money, and attention. Under the trees before the castle stone benches were placed for the peasants who came on Sunday evenings to sit about and dance, and the young people with whom the old chateau was always filled joined eagerly in their festivities.

THREE:The chanoinesses were free to take vows or not, either at the prescribed age or later. If they did not, they had only the honour of the title of Countess and the decorations of the order. If they did, they got one of the dwellings and a good pension, but they could not marry, and must spend two out of every three years there; with the other year they could do as they liked. They might also adopt as a niece a young chanoinesse on condition she always stayed with them and took the vows when she was the proper age. Her adopted aunt might leave her all her jewels, furniture, &c., as well as her little house and pension. One of them wished to adopt F��licit��, but her mother would not consent. They stayed there six weeks and then went home, F��licit�� in despair at leaving the nuns, [354] who petted and loaded her with bonbons, but much consoled by being called ��Madame.��The Carmes was one of the bad ones, as regards accommodation, but in it were many prisoners belonging to good society, delicate, refined, bearing bravely the privations and dangers of their lot. It was supposed to be one of the aristocratic prisons, though less comfortable than the rest.

CHAPTER IYet his delineation of the society of the day was so true that somebody remarked about his play, Le Cercle, that Poinsinet must have been listening at the doors. He was drowned in Spain while crossing the Guadalquivir.

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