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Inside the building, under a silken Persian rug, stretched like an awning, there were piles of coin on a cloth spread on the ground, with flowers, rice, and sweetmeats offered there. In a recess was a band of musicianstom-toms and fiddlesscarcely audible in the turmoil of shouted prayers and the chatter of the faithful.

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Tazulmulook on his way meets a blind man, whom he restores to sight by the help of the magical flower; the man relates the story of the cure to the four brothers, who quickly follow up Tazulmulook and presently overtake him. After a short conflict they rob him of the talisman and fly. The young prince is in despair, but as he wrings his hands he rubs Bakaoli's ring and the dragon instantly appears. Tazulmulook commands him forthwith to build a palace in front of that of King Zainulmulook.
ONE:Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.

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TWO:So, after waiting for the reply of the gentleman whose business it was to give me this free pass, seeing that he could not make up his mind, I left the town without it.While all this is going forward in the jungle, Bakaoli, disguised as an astrologer, comes to the king, to whom she promises the coming of the miraculous flower, and even while she is speaking the return of the four princes is announced.

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  • FORE:

    Donec sit amet ligula enim. Duis vel condimentum massa. Maecenas eget congue dui.

  • FORE:While I spent the hot hours of the day in the bungalow, a flock of birds came in through the open doors, and quietly picked up the crumbs on the floor. They were followed by grey squirrels, which at first crouched in the corners, but presently, growing bolder, ended by climbing on to the table, with peering eyes, in hope of nuts or bread-crusts.

    Donec sit amet ligula enim. Duis vel condimentum massa. Maecenas eget congue dui.

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  • FORE:

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  • FORE:After bathing, during their long prayers to the gods of the river, almost as sacred here as it is at Benares, the pilgrims threw grain to the half-tame fish. Steering vigorously with their tails, the creatures turned and rolled, making eddies of light in the water, and hurrying up to the falling grain occasionally upset the equilibrium of some old woman still taking her bath. At the top of the bank, in the blazing sunshine, two fakirs, squatting in the dusty road, remained unmoved by all this turmoil, seeing nothing, hearing nothing, absorbed in a fixed thought which concentrated their gaze[Pg 297] on an invisible point. The fall of an old woman into the Ganges, with all the shouting that such an incident entails in India, left them quite indifferent; they did not stir, did not even glance at the river as the woman was taken out unconscious.The natives here were an even finer race than those at Peshawur, and more uncultured, never bowing when we met them, but eyeing us as we passed as if they were meditating some foul blow.

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  • FORE:"You know it is pashmina?"

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  • FORE:When the last stone was placed, Shah Jehan sent for the architect and went with him to the top of the mausoleum.In the shrine of Chaumuc, the god of many faces, the four masks grin down from the sides of a square pillar of white stucco. The walls, vault, and pavement of this temple are all red, with borders of green and yellow; the colours scream in contrast to the whiteness of the images, with their staring eyes made of crystal balls that look like spectacles.

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THREE:At the very top of the incline, the enclosing wall, black with age but bright with yellow velvet moss, rises precipitously above the plain, and three light balconies, with columns as slight as flower-stems,[Pg 77] crowned with pointed roofs recurved at the angles, overhang the abyss.

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THREE:[Pg 196]

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THREE:Bakaoli, having returned to her own country, sends her confidante, named Hammala, with a letter to Tazulmulook, who at once follows the messenger. The prince and the queen fall in love with each other. Bakaoli's mother finds them together, and furious at the disobedience of her daughter, who is affianced to another rajah, she calls up a djinn to plunge Tazulmulook in a magic fount. The prince finds himself transformed into a devil with horns, and wanders about the jungle once more. There he meets a pariah woman with three children, who begs him to marry her. Tazulmulook in despair leaps back into the spring to die there, and to his great surprise recovers his original shape.

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.
ONE:When the dead are to be honoured in this land each true believer lays a pebble as homage on the tomb, and the dead man's repute is estimated by the size of the pile of stones that covers him.Entering by one of the fourteen gates in the ramparts of stone blocks scarcely hewn into shape, the city of palaces and mosques is found in ruins, matching the fortifications, without any decoration,[Pg 225] and all of the same cold grey hue, like a city of prisons.
FORE:

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TWO:In the town, at a spot where several alleys meet, stood a mob of people holding out the ends of their sarees or dhotis to catch handfuls of grain which a kshatriya was throwing to them from a[Pg 170] window, though he looked almost as ragged as the beggars collected in front of the house.

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99 
TWO:From Lahore hither is an almost uninterrupted series of encampmentsEnglish and native regiments established in huts in the open fields far from every town, close only to the railway line. At one station a detachment of Indian guards were drawn up, and Abibulla declared from the number of men that they must be expecting a general at least; but nothing was discharged from the train but some cases of rupees, checked off by two English officers, and then carried to the barracks under the escort of sepoys.A dome of smoke hangs like a vault over the fires, motionless, veiling the sun. The relations of the dead, sitting on their heels, gaze at the flames with an expression almost of indifference; no one weeps, and they converse calmly in no subdued tones.
THREE:A smart affair altogether is this carriage! two very high wheels, no springs, a tiny cotton awning[Pg 269] supported on four sticks lacquered red, and sheltering the seat which has three ropes by way of a back to it. Portmanteaus and nosebags are hung all round, and even a kettle swings from the near shaft, adding the clatter of its cymbal to the Indian symphony of creaking wheels, the cracking whips, the driver's cries of "Cello, cello," and Abibulla's repeated "Djaldi," all intended to hurry the horse's pace. THREE: THREE:And so, on both sides of the way there are rice-fields without end; those that were reaped yesterday are ploughed again to-day.
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Then, suddenly, there was a clatter of tom-toms, and rattling of castanets, a Hindoo funeral passing by. The dead lay stretched on a bier, his face painted and horrible, a livid grin between the dreadful scarlet cheeks, covered with wreaths of jasmine and roses. A man walking before the corpse carried a jar of burning charcoal to light the funeral pile. Friends followed the bier, each bringing a log of wood, to add to the pyre as a last homage to the dead.And to close the procession came more soldiers.The two chairs are now placed side by side, and the priest goes on chanting his prayers to a slow measure, in a nasal voice that is soon lost again in the chatter of the bystanders. Rice is once more shed over the couple, and incense is burnt in a large bronze vessel, the perfume mingling with that of the jasmine wreaths on the walls.
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