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Whenever our green driver meets another ekka-driver they both get off their perch and take a few puffs at the hookah that hangs in a bag at the back of the vehicle.[Pg 244]Yellow palaces, mirrored as gold in the luminous waters of the Ganges, came into view; cupolas quivering with dazzling lustre against the intense skyand then the whole city vanished. Nothing was to be seen but a suburb of shabby buildings, the commonplace railway station crowded by a Burmese pilgrimage of Buddhists come from so farwho knows why?to the holy Indian city. Yellow priests and white doll-like figures dragging bundles that fell open, dropping the most medley collection of objects to be picked up and stowed into the parcels again, only to roll out once more. A yelling crowd, hustling and bustling, shouting from one end of the station to the other, and finally[Pg 155] departing, like a flock of sheep, in long files down the dusty road, to be lost at last in the little bazaar.
THREE:Shops of the same trade are found in rows; carpenters joining their blocks, and workmen carving ornaments with very simple toolsclumsy toolswhich they use with little, timid, persistent taps. Further on, coppersmiths are hammering the little pots which are to be seen in everybody's hands; under the shade of an awning stretched over the tiny booth, the finished vessels, piled up to the roof, shed a glory over the half-naked toilers who bend over their anvils, perpetually making jars of a traditional pattern, used for ablutions. There are two men at work in each shop, three at most, and sometimes an old man who sits smoking with half-closed eyes.In a long narrow bark, with a pointed white saila bunder-boatwe crossed the roads to Elephanta, the isle of sacred temples. Naked men, with no garment but the langouti, or loin-cloth, navigated the boat. They climbed to the top of the mast, clinging to the shrouds with their toes, if the least end of rope was out of gear, hauled the sail up and down for no reason at all, and toiled ridiculously, with a vain expenditure of cries and action, under the glaring sky that poured down on us like hot lead.

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FORE:Inside the building, under a silken Persian rug, stretched like an awning, there were piles of coin on a cloth spread on the ground, with flowers, rice, and sweetmeats offered there. In a recess was a band of musicianstom-toms and fiddlesscarcely audible in the turmoil of shouted prayers and the chatter of the faithful.Past the buildings, and palaces with gardens enclosed behind pierced stonework, and then across fresh green fields full of flowers, under the shade of banyans and palm trees, we reached the temple of the monkeys. This temple, dedicated to the fierce and bloodthirsty goddess Durga, is painted all over of a vivid red colour, blazing in the sunshine with intolerable brightness. Inside the sanctuary a black image of the goddess may be seen, mounted on her lion, and flowers are arranged about her in radiating lines mingled with gold thread, and producing very much the effect of a theatrical sun. In the [Pg 162]forecourt, on the carvings and the roof of the temple monkeys swarm, rushing after each other, fighting for the grains of maize that are thrown to them, and tormenting the wretched mangy dogs that seek refuge in the temple precincts, where they, too, are kept alive by the faithful.

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FORE: THREE:And as they went home at nightfall enormous bats came out and flew across above the tall trees in heavy, steady, straight flight. Without a sound they made for the last gleam on the horizon, where[Pg 98] the vanished sun had left a crimson line; and what an insistent image of death and oblivion were those great black fowl, slowly flapping their five-fingered wings spread out round their bodies, headless as they would seem, so small is the head, and so close-set on the neck. One might fancy that they were bearing away the day, gliding noiseless and innumerable towards the west, where already the last gleam is dead.

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FORE:"Could you design another tomb as beautiful as this?" asked the emperor.At last, when it was very late, the reciter lifted the heavy idol on to his head. A few worshippers followed him, carrying the flowers, the little jars and the baskets offered to the goddess, and the procession marched off towards the Ganges; while the nautch-girls went on with their performance, giving loud, sharp shrieks out of all time with the shrill but somnolent music. THREE:

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FORE:Between the houses tiny garden-plots full of flowers surround gravestones, on which fresh roses are constantly laid.Over the gate and the door of the house light garlands, made of single flowers threaded like beads, swing in the breeze and scent the air. THREE:

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THREE:Then a girl's body was brought out, wrapped in white muslin; the bier, made of bamboo, was wreathed with marigolds, and on the light shroud there were patches of crimson powder, almost violet. The bearers, on reaching the river, placed the body in the water, leaving it there for a time.And the figures go down after long discussions, till at last the question as to whether I know the worth of pashmina begins all over againendless.

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In the depths of a deserted temple in the bazaar, amid heaps of rags, bones, and colourless debris, dwelt an old man, a very highly venerated fakir, motionless in his den, while around him were gathered all the masterless dogs of Srinagar, who allowed no one to come near him and flew at anybody who tried to enter the temple.In the town, at a spot where several alleys meet, stood a mob of people holding out the ends of their sarees or dhotis to catch handfuls of grain which a kshatriya was throwing to them from a[Pg 170] window, though he looked almost as ragged as the beggars collected in front of the house.
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