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[205]
TWO:It is difficult for those who are accustomed to think of Paris only as it is now, to picture to themselves at all what it was like in the eighteenth century; for until years after the Revolution it was, to all intents and purposes, a medi?val city.
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THREE:THE last of the four French heroines whose histories are here to be related, differed in her early surroundings and circumstances from the three preceding ones. She was neither the daughter of a powerful noble like the Marquise de Montagu, nor did she belong to the finance or the bourgeoisie like Mme. Le Brun and Mme. Tallien. Her father was noble but poor, her childhood was spent, not in a great capital but in the country, and as she was born nearly ten years before the first and six-and-twenty years before the last of the other three, she saw much more than they did of the old France before it was swept away by the Revolution.She had had great success in the number of important pictures she painted at Naples; and her [107] career at Rome was equally prosperous. She had plenty of money now, and nobody to meddle with it, and if it had not been for the constant anxiety about France she would have been perfectly happy. But French news was difficult to get and bad when it was obtained.
THREE:Next came her twin sister, Henriette, from whom she had parted almost heart-broken, when she reluctantly left France for Parma. Henriette was the Kings favourite daughter, the best and most charming of all the princesses. Lovely, gentle, and saintly, the Duc de Chartres [61] was deeply in love with her and she with him. The King was disposed to allow the marriage, but was dissuaded by Cardinal Fleury. If the Infanta had been in question she would have got her own way, but Henriette was too yielding and submissive. She died at twenty-five years of age, of the small-pox, so fatal to her race (1752) to the great grief of the court and royal family, and especially of the King, by whom she was adored.
FORE:Come, Monsieur, said the police official, I see there is some mistake. What is your name?Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise. FORE:Capital letter WBut her practice cannot be said to have been altogether in accordance with all the professions and talk about virtue and duty, which she made such a parade.
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[275]The harmony and affection that had characterised the daughters of the Duchess dAyen were equally conspicuous among her grandchildren, and the numerous relationssons, daughters, nephews, nieces, and cousinsformed one united family. If there existed differences of opinion, they did not interfere with the affection between those who held them.There she rested, spending the days out of doors in the cool green country, and looking forward to her approaching return to France; when one evening a letter was brought her from M. de Rivire, the brother of her sister-in-law, which told her of the horrible events of the 10th of August, the attack on the Tuileries, the imprisonment of the Royal Family, the massacres and horrors of all kinds still going on.
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