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From Kusshalgar we were travelling in a tonga once more. The landscape was all of steep hills without vegetation; stretches of sand, hills of claylilac or rosy brick-earth scorched in the sun, green or brown earth where there had been recent landslips, baked by the summer heat to every shade of red. There was one hill higher than the rest, of a velvety rose-colour with very gentle undulations, and then a river-bed full of snowy-white sand, which was salt.The temples were already closed, but my servant, Abibulla, diverted the attention of the gatekeeper, and I stole unseen into the outer precincts.A marble balustrade, of flowing design and astounding delicacy, exquisitely harmonious and artistic, encloses the white sarcophagus, which is inlaid with mindi and basilic flowers in costly agate, linked by inscriptions looking like lacings of narrow black braid. This balustrade alone, in the Taj, under the marble pile which forms the tomb of the empress, and on which 20,000 craftsmen laboured for twenty years, would, in its indescribable beauty of workmanship, have amply fulfilled Shah Jehan's vow.
ONE:The country was nowhere deserted. Labourers in the rice-fields were transplanting the young seedlings or watering the taller growth that waved in delicate transparent verdure. Or again, there were the watchers perched on their platforms in the middle of the fields; fishermen pushing little nets before them, fastened to triangular frames, or grubbing in the mud in search of shell-fishsmall freshwater mussels, which they carried away in clay jars of Etruscan form. A motley crowd, with animated and graceful gesticulations; the women red or white figures in fluttering sarees, with flowers in their hair, and a few glittering bangles on their arms; the children quite naked, with bead necklaces and queer charms of lead or wood in their ears or their nose; the men slender and active, wearing light-coloured turbans made of yards on yards of twisted muslin, their brown skin hidden only by the langouti or loin-cloth.

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TWO:Along the line were hedges of glaucous aloes, of[Pg 106] gynerium all plumed with white, and over every plant an inextricable tangle of baja, its pink flowers hanging in bunches.

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TWO:At an angle of the stairs of violet-tinted stone, which lead to the summit of the hill, a tablet of green marble, engraved in flowing Arabic characters, remains uninjured, the record of the great deeds of some emperor of Golconda.

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There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.[Pg 244]Further on, in the temple stables, open to the sky and surrounded by a colonnade of carved and painted pillars, some women, in silken sarees of dark hues, were waiting on the bulls and the tiny zebu cows, feeding them with the flower offerings strewn on the mosaic pavement of the courtyard.Then, on the right, endless pools and rivers; naked men were ploughing in the liquid mud and splashed all over by the oxen drawing a light wooden plough, their bronze bodies caked ere long with a carapace of dry, grey mud.
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