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THREE:The prison of the Carmes was a very different abode to Port Libre, and it was just at its worst time, but still T��r��zia used afterwards to declare that she, after a time, got accustomed to the horrors of the prison. The constant presence of death made them more and more callous, and they would play games together like children, even enacting the scenes of execution which they had every prospect of going through in reality. Their room, or cell, looked out into the garden, through a grating, into which, however, they could not go; a single mattress in a corner served for their bed.

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THREE:��I cannot do that, citoyen ministre, I have no papers to show you except an old passport under another name, which I bought for twelve francs at Hamburg. I have been away from France eleven years.��When she had painted the head and sketched out the arms and figure, Mme. Le Brun was obliged to go to Paris. She intended to come back to finish her work, but she found the murder of Foulon and Berthier had just taken place, and the state of [77] affairs was so alarming that her one object was to get out of France. The portrait fell into the hands of Count Louis de Narbonne, who restored it to her on her return��when she finished it.

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THREE:��I suppose he who writes so eloquently in L��Ami des Citoyens is also the friend of the citoyennes? If you are my friend, for the sake of the citoyenne, Lameth, [98] do not make me appear before that odious tribunal, on which you do not sit.����Monsieur de Chalabre, I wish to know why you took from the game to-night a rouleau of fifty louis?��

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THREE:��That is a curious dress of yours, Monsieur,�� he replied, looking round the ball room:

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