THREE:The English having deposed Suraja Dowlah, the nabob of Bengal, and set up their tool, the traitor Meer Jaffier, who had actually sold his master, the nabob, to them, the unfortunate Nabob was soon assassinated by the son of Meer Jaffier. But Meer Jaffier, freed thus from the fear of the restoration of the Nabob, soon began to cabal against his patrons, the English. Clive was absent, and the government conducted by Mr. Henry Vansittart, a man of little ability in his course of policy. All discipline ceased to exist amongst the English; their only thought was of enriching themselves by any possible means. Meer Jaffier was not blind to this. He saw how hateful the English were making themselves in the country, and was becoming as traitorous to them as he had been to his own master. Early, therefore, in the autumn of 1760, Vansittart and Colonel Caillaud marched to Cossimbazar, a suburb of Moorshedabad, where Meer Jaffier lived, at the head of a few hundred troops, and offered certain terms to him. Meer Jaffier appeared to shuffle in his answer; and, without more ceremony, the English surrounded his palace at the dead of night, and compelled him to resign, but allowed him to retire to Fort William, under the protection of the British flag; and they then set up in his stead Meer Cossim, his son-in-law.He gathered his courage for what he was going to say next, with a feeling almost of guilt. "Forbes says that I am doing you an injustice, keeping you here; that it is no life for you."
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THREE:Down by the river a coyote scudded across her path as she made her way through the willows, and when he was well beyond, rose up on his hind legs and looked after her. At the water's edge she stopped and glanced across to the opposite bank. The restlessness was going, and she meant to return now, before she should be missedif indeed she were not missed already, as was very probable. Yet still she waited, her hands clasped in front of her, looking down at the stream. Farther out, in the middle, a ripple flashed. But where she stood among the bushes, it was very dark. The water made no sound, there was not a breath of air, yet suddenly there was a murmur, a rustle.
THREE:Brewster stood in his own window, quite alone, and watched them all crowding down to Landor's quarters. The beauty of the Triumph of Virtue did not appeal to[Pg 157] him. He was very uneasy. Countercharges were looming on his view. To be sure, he had not lied, not absolutely and in so many words, but his citizen witnesses had not been so adroit or so careful. It would not have taken much to make out a very fair case of conduct unbecoming an officer and a gentleman. Practical working texts, anent looking before leaping, and being sure you are right ere going ahead, occurred to him with new force. His morality at the moment was worthy the law and the prophets. He was Experience in person, and as such would have been an invaluable teacher, if there had been any seeking instruction. But there was none. They were all with Landor, drinking his wine and helping success succeed, than which one may find less pleasant occupations.Jeff, warned by the trail of light on the water below, took a quick look.
THREE:Such was the formidable opposition with which Parliament came to the consideration of this peace. It met on the 25th of November, and the tone of the public out of doors was then seen. The king, as he went to the House of Lords, was very coolly received by the crowds in the streets, and Bute was saluted with hisses, groans, and the flinging of mud and stones. On the 19th of December he moved in the Lords an address in approbation of the terms of the peace. Lord Hardwicke opposed the motion with great warmth and ability, but there was no division. Very different was the reception of a similar address in the Commons the same day, moved by Fox. There Pitt, who was suffering with the gout, denounced the whole treaty, as shamefully sacrificing the honour and interests of the country. When he rose he was obliged to be supported by two of his friends, and was at length compelled to beg to be allowed to address the House sitting. He yet made a vehement speech of three hours and a half against the conditions accepted. The Ministry, however, had a large majority, three hundred and nineteen voting for them against sixty-five. With this brief triumph of Bute's unpopular party closed the year 1762.The style of St. Paul's, and, indeed, of all Wren's churches, is neither Grecian nor Gothic, but Italian, influenced by the fashion which Bernini, the Italian architect of Louis XIV., had introduced into France. It is a class of architecture of which the Grecian is the basis, but which is so freely innovated upon as to leave little general resemblance. In its different parts we have columns and pilasters of every Grecian and, indeed, Roman order, pediments, peristyles, architraves, and friezes, mingled up with windows of all sorts, and all kinds of recesses and projections, the fa?ades and intercolumniations ornamented with festoons, and wreaths, and human masks, and the whole surmounted by a great Eastern dome, and by campaniles partaking of[159] all the compilations of the main buildings. St. Paul's itself is a noble building, notwithstanding the manifest gleanings from the antique and the medi?val, and their combination into a whole which has nothing original but their combination into one superb design. Besides St. Paul's, the rest of Wren's churches are disappointing, and we cannot avoid lamenting that he had lost the sense of the beauty of Gothic architecture, especially when we call to mind the exquisite churches of that style which adorn so many of the Continental cities. Whilst the exteriors of Wren's churches show heavily in their huddled-up situations in London streets, their interiors, in which much more of the Grecian and Roman styles is introduced, are equally heavy, and wanting in that pliant grace which distinguishes the interiors of Gothic cathedrals. Perhaps the noblest work of Wren next to St. Paul's is Greenwich Hospital, which is more purely Grecian, and therefore displays a more graceful and majestic aspect. The Palace of Hampton Court, attached to the fine old Tudor pile of Cardinal Wolsey, is a great square mass, in which the Dutch taste of William is said to have set aside Wren's original design. But surely William did not compel him to erect that (in such circumstances) ponderous barbarism of a Grecian colonnade in the second quadrangle of Hampton Court, attaching it to a Gothic building. In fact, neither Wren nor Inigo Jones appears to have had the slightest sense of the incongruity of such conjunctions. Jones actually erected a Grecian screen to the beautiful Gothic choir of Winchester Cathedral, and placed a Grecian bishop's throne in it, amid the glorious canopy-work of that choir. The return to a better taste swept these monstrosities away.