THREE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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THREE:Only the encyclop?dists and such persons of advanced opinions had any presentiments of the [36] overwhelming changes at hand, and they were far from anticipating the horrible calamities and crimes they were helping to bring about.

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THREE:Ma Lise aimait �� se voir c��l��br��e.

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THREE:After a very few months she married the Marquis de la Haie, who had been the page and then the [355] lover of the infamous Duchesse de Berri, eldest daughter of the Regent d��Orl��ans.However, Mme. Le Brun was overjoyed to see Jeanne, and to keep her in Paris, although she refused to live with her, because the people with whom she persisted in associating were so objectionable that her mother would not meet them.

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THREE:But as dinner-parties then took place in the day-time, often as early as two o��clock, Lisette soon found it impossible to spare the time to go to them. What finally decided her to give them up was an absurd contretemps that happened one day when she was going to dine with the Princesse de Rohan-Rochefort. Just as she was dressed in a white satin dress she was wearing for the first time, and ready to get into the carriage, she, like her father in former days, remembered that she wished to look again at a picture she was painting, and going into her studio sat down upon a chair which stood before her easel without noticing that her palette was upon it. The consequences were of course far more disastrous than what had befallen her father; it was impossible to go to the party, and after this she declined as a rule all except evening invitations, of which she had even more than enough.

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