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Bruce forced a smile to his lips.The Poetics of Aristotle contains some hints on the subject of composition which entitle it to be mentioned in the present connexion. The deficiencies, even from a purely theoretical point of view, of this work, once pronounced infallible, have at last become so obvious that elaborate hypotheses have been constructed, according to which the recension handed down to us is a mere mutilated extract from the original treatise. Enough, however, remains to convince us that poetry was not, any more than eloquence, a subject with which Aristotle was fitted to cope. He begins by defining it, in common with all other art, as an imitation. Here, we at once recognise the spirit of a philosophy, the whole power and interest of which lay in knowledge; and, in fact, he tells us that the love of art is derived from the love of knowledge. But the truth seems to be that aesthetic enjoyment is due to an ideal exercise of our faculties, among which the power of perceiving identities is sometimes, though not always, included. That the materials of which every artistic creation is composed are taken from the world of our experience makes no difference; for it is by the new forms in which they are arranged that we are interested, not because we remember having met them in301 some natural combination already. Aristotle could not help seeing that this was true in the case of music at least; and he can only save his principle by treating musical effects as representations of passions in the soul. To say, however, that musical pleasure arises from a perception of resemblance between certain sounds and the emotions with which they are associated, would be an extremely forced interpretation; the pleasure is due rather to a sympathetic participation in the emotion itself. And when Aristotle goes on to tell us that the characters imitated in epic and dramatic poetry may be either better or worse than in ordinary life, he is obviously admitting other aesthetic motives not accounted for by his general theory. If, on the other hand, we start with ideal energising as the secret of aesthetic emotion, we can easily understand how an imaginary exaltation of our faculties is yielded by the spectacle of something either rising above, or falling below, the level on which we stand. In the one case we become momentarily invested with the strength put into action before our eyes; in the other, the consciousness of our own superiority amounts to a fund of reserve power, which not being put into action, is entirely available for ideal enjoyment. And, if this be the correct view, it will follow that Aristotle was quite wrong when he declared the plot to be more important than the characters of a drama. The reason given for his preference is, even on the principles of his own philosophy, a bad one. He says that there can be plot without character-drawing, but never character-drawing without plot. Yet he has taught us elsewhere that the human soul is of more value than the physical organism on which its existence depends. This very parallel suggests itself to him in his Poetics; but, by an almost inconceivable misjudgment, it is the plot which he likens to the soul of the piece, whereas in truth it should be compared to the body. The practice and preference of his own time may have helped to mislead him, for he argues (rather inconsistently, by the way) that plot302 must be more indispensable, as young writers are able to construct good stories before they are able to portray character; and more artistic, as it was developed much later in the historical evolution of tragedy. Fortunately for us, the Alexandrian critics were guided by other canons of taste, or the structurally faulty pieces of Aeschylus might have been neglected, and the ingeniously constructed pieces of Agathon preserved in their place.
TWO:The alliance between Neo-Pythagoreanism and Stoicism did not last long. Their fundamental principles were too radically opposed to admit of any reconciliation, except what could be effected by the absorption of both into a more comprehensive system. And Roman Stoicism, at least, was too practical, too scientific, too sane, to assimilate what must have seemed a curious amalgam of mathematical jugglery and dreamy asceticism; while the reputation of belonging to248 what passed for a secret society would be regarded with particular dread in the vicinity of the imperial court,it was, in fact, for this particular reason that the elder Seneca persuaded his son to renounce the vegetarian diet which Sotion had induced him to adopt,and the suspicious hostility of the public authorities may have had something to do with the speedy disappearance of Neo-Pythagoreanism from Rome.388 On the other hand, so coarsely materialistic and utilitarian a doctrine as that of the Porch, must have been equally repulsive to the spiritualism which, while it discerned a deep kinship permeating all forms of animal existence, saw in the outward conditions of that existence only the prison or the tomb where a heaven-born exile lay immured in expiation of the guilt that had driven him from his former and well-nigh forgotten abode. Hence, after Seneca, we find the two schools pursuing divergent directions, the naturalism of the one becoming more and more contrasted with the spiritualism of the other. It has been mentioned how emphatically Marcus Aurelius rejected the doctrine of a future life, which, perhaps, had been brought under his notice as a tenet of the Neo-Pythagoreans. The latter, on their side, abandoned the Stoic cosmology for the more congenial metaphysics of Plato, which they enriched with some elements from Aristotles system, but without in the least acknowledging their obligations to those two illustrious masters. On the contrary, they professed to derive their hidden wisdom from certain alleged writings of Pythagoras and his earlier disciples, which, with the disregard for veracity not uncommon among mystics, they did not scruple to forge wholesale. As a consequence of their unfortunate activity, literature was encumbered with a mass of worthless productions, of which many fragments still survive, mixed, perhaps, with some genuine relics of old Italiote speculation, the extrication of which is, however, a task of almost insuperable difficulty.
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THREE:It was a fine summer afternoon, and the sun shone on the many bright, whitewashed walls of the old and neat little town, built close to the rapidly flowing river. There was quiet in the streets, although nearly all the inhabitants were sitting on their chairs in the streets. But nobody ventured to move about, and conversations were held only in whispers. As I walked through the village street in my quaint get-up, they pushed their chairs a little closer together as if frightened, and looked shyly at me as if they feared that I was not the harbinger of much good. And all these hundreds of people saluted me humbly, almost cringingly, which filled me with pity.
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FORE:Their pilot needed no instructions."Why should I have killed him?" was the cool response. "At the rate he was going he would have drunk himself to death in another week." FORE:Abiding, doth abide most firmly fixed,First I will notice that among our many books upon mechanical subjects there are none that seem to be directed to the instruction of apprentice engineers; at least, there are none directed to that part of a mechanical education most difficult to acquire, a power of analysing and deducing conclusions from commonplace matters.
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It may safely be assumed that the prejudices once entertained against Epicureanism are now extinct. Whatever may have been the speculative opinions of its founder, he had as good a right to them as the Apostles had to theirs; nor did he stand further aloof from the popular religion of any age than Aristotle, who has generally been in high favour with theologians. His practical teaching was directed towards the constant inculcation of virtue; nor was it belied by the conduct either of himself or of his disciples, even judged by the standard of the schools to which they were most opposed. And some of his physical theories, once rejected as self-evidently absurd, are now proved to be in harmony with the sober conclusions of modern science. At any rate, it is not in this quarter, as our readers will doubtless have already perceived, that the old prejudices, if they still exist, are likely to find an echo. Just now, indeed, the danger is not that Epicurus should be depreciated, but that his merits should obtain far more than their proper meed of recognition. It seems to be forgotten that what was best in his physics he borrowed from others, and that what he added was of less than no value; that he was ignorant or careless of demonstrated truths; that his avowed principles of belief were inconsistent with any truth rising above the level of vulgar apprehension; and finally, that in his system scientific interests were utterly subordinated to practical interests.Andenne, on the right bank of the Meuse, was a town of 8,000 inhabitants. When the Germans arrived there on the morning of August 19th they found the bridge connecting Andenne and Seilles wrecked. In the afternoon they began building a pontoon bridge, which was ready the next day. They were very much put out about the wrecking of the other bridge, by the Belgian soldiers, a couple of hours before their arrival. Their exasperation became still greater when they discovered after having finished the pontoon bridge, that the big tunnel on the left bank of the Meuse had also been made useless by barricades and entanglements.
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