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CALCUTTAAfter bathing, during their long prayers to the gods of the river, almost as sacred here as it is at Benares, the pilgrims threw grain to the half-tame fish. Steering vigorously with their tails, the creatures turned and rolled, making eddies of light in the water, and hurrying up to the falling grain occasionally upset the equilibrium of some old woman still taking her bath. At the top of the bank, in the blazing sunshine, two fakirs, squatting in the dusty road, remained unmoved by all this turmoil, seeing nothing, hearing nothing, absorbed in a fixed thought which concentrated their gaze[Pg 297] on an invisible point. The fall of an old woman into the Ganges, with all the shouting that such an incident entails in India, left them quite indifferent; they did not stir, did not even glance at the river as the woman was taken out unconscious.

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FORE:[Pg 196]Close to a village that has sprouted under the baobab-trees, in the midst of the plain that once was Khoutab, in the court of a mosque, is the marble sarcophagus of a princess. Grass is growing in the hollow of the stone that covers her, in fulfilment of the wishes of the maiden, who in her humility desired that when she was dead she should be laid to rest under the common earth whence the grass grows in the spring. And not far from the rajah's daughter, under a broad tamarind tree, in the blue shade, is the tomb of Kushru, the poet who immortalized Bagh-o-Bahar. On the sarcophagus, in the little kiosk, was a kerchief of silk and gold, with a wreath of fresh flowers renewed every day by the faithful. 100 GB
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THREE:

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THREE:In the Begum's tomb the sarcophagus is on the ground, surrounded by a pale-tinted mosaic pavement. The windows, screened by pierced stone, admit a rosy light, and the walls are painted to imitate Persian tiles, with tall Cyprus trees in blue and green. Incense was burning in one corner, the[Pg 182] perfume mingling with that of the flowers, wafted in at every opening. Doors of massive cedar, carved with the patience of a bygone time, rattle on their hinges as the wind slams them to, but still endure, uninjured by ages.In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.

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TWO:On our way back to the hotel, in a park through which we had to pass, we suddenly heard overhead a shrill outcry proceeding from a banyan tree to which a number of vampires had hung themselves up. Clinging together side by side, like black rags, and hardly visible in the thick foliage, the creatures formed a sort of living bunch, creeping, swaying, and all uttering the same harsh, monotonous, incessant cry.

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In the shops the salesmen, to weigh their merchandise, had a strange collection of curious weightsdumps, rings, balls of copper, iron, or lead, stamped or inlaid with symbols and flowers; fragments of spoons to make up too light a weight, even pieces of wood; and they used them all with perfect readiness and never made a mistake.There are closed carriages, victorias, vehicles with a red canopy drawn by oxen, the shafts set at an angle. The drivers bawl, shout to the porters, fight for the fare with their whips, while, overhead, kites and hawks wheel incessantly, uttering a plaintive cry.
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