ONE:On the evening of the 16th of July Casta?os appeared on the Argonilla, directly opposite to Andujar; the river was fordable in many places from the drought, and the different divisions of the Spaniards crossed in the night. Vedel, seeing the critical situation of the French army, made a rapid movement to regain and keep open the mountainous defile by which he had arrived, but Dupont remained at Andujar till the night of the 18th. Vedel remaining at the pass for Dupont, the latter found himself intercepted at Baylen by the Swiss General, Reding, and whilst engaging him his own Swiss troops went over to Reding. He sent expresses to Vedel to return to his aid, but before this could be accomplished he was defeated, and compelled to surrender. He was enormously encumbered by baggage; for the French, as usual, utterly regardless of the necessity of keeping on good terms with a people over whom they wished to rule, had been pillaging churches and houses of all plate and valuables that they could find. In endeavouring to defend the baggage, Dupont had weakened his front, and occasioned his repulse. Casta?os had not perceived the march of the French; but, by the time his van came up with Reding, he found the French army prisoners. The terms proposed by the French were that they should be allowed to retire upon Madrid with all their arms and baggage. But Casta?os was too well acquainted with the necessities of the French through the intercepted letter to Savary. He insisted that they should pile their arms, give up the greater part of their spoil, and be sent down to San Lucar and Rota, where they should be embarked for France. Whilst Dupont was hesitating on these conditions, he received a note from Vedel, proposing that they should make a simultaneous attack on the Spaniards, and thus have a fresh chance of turning the scale in their own favour. But Dupont saw that this was hopeless; and, moreover, it is said that Casta?os insisted that if Vedel himself did not immediately[556] lay down his arms, he would shoot Dupont. Vedel, who now saw little hope of cutting his way through the mountains, was compelled to obey. The French piled their arms on the 22nd of July, the prisoners amounting to between eighteen and nineteen thousand. They gave up also thirty pieces of cannon.In the early part of the reign the English operas of Augustine Arne, "Artaxerxes" and "Love in a Village"the former principally a translation from Metastasiowere much admired. For the rest, there were numbers of lovers and professors of the art, both in sacred, operatic, and glee music. The Catch Club was formed in 1761, and zealously supported, as well as the Concerts of Ancient Music in 1776. Under the patronage of this society, and particularly of his Majesty, took place the celebrated Handel "Commemoration" in Westminster Abbey, in May and June of 1784. During the early part of the reign, too, appeared several distinguished works in this department. At the head of these stood the "Histories of Music," by Sir John Hawkins and Dr. Burney; Dibdin's "Musical Tour;" Dr. John Browne's "Dissertation on Poetry and Music;" the "Letters" of Jackson, of Exeter; and Mason's "Essays on Church Music." In the later portion of the reign there was much love of music, but little original composition, except for the stage, where Arnold, Shield, Storace, and Dibdin produced the most delightful compositions. Arnold's "Castle of Andalusia," "Inkle and Yarico," "The Surrender of Calais," and "The Mountaineers;" and Shield's "Rosina," "The Poor Soldier," "The Woodman," and "The Farmer," are universally admired. The sea songs of Charles Dibdin are as imperishable as the British navy, to which they have given a renown of its own. He wrote about one thousand four hundred songs, thirty dramatic pieces, "A Musical Tour," and a "History of the Stage," and was allowed, after all, to die in deep poverty, after charming the world for half a century. During the latter part of the reign music was in much esteem, and musical meetings in various parts of the countryin London, the opera, Ancient Concerts, and performances by foreign composers, such as Handel's "Messiah," Beethoven's "Mount of Olives," Mozart's opera of "Don Giovanni," etc.were flocked to, but little native genius appeared.
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