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I proposed to go in without the soldiers. Impossible, it was not etiquette! I was the Rajah's guest. The Prince of Morvi and I could not mingle with the crowd, our escort was necessary to isolate us. Well, then, the soldiers must take off their shoes, and leave their belts and guns at the door! Again impossible. Where would the prestige of the uniform be?
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ONE:All the sick were sudras, Hindoos of the lowest caste. All the rest, Brahmins, Kshatriyas, Vaisiyas, would rather die at home, uncared for, than endure the promiscuous mixture of caste at the hospital, and contact with their inferiors. Even the sudras are but few. There is an all-pervading dread of a hospital, fostered by Indian bone-setters and sorcerers, stronger even than the fear of the pestilence; the people hide themselves to die, like[Pg 33] wounded animals, and their relations will not speak of an illness for fear of seeing anybody belonging to them taken to the hospital. TWO:Two days after, the people would burn in great state, on an enormous wood pile, an image of Time, to ensure the return next year of the festival of colours.


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THREE:

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THREE:We were off by break of day. Among hanging creepers, shrubs, and trees, temples, gilded by the rising sun, gleamed dimly through the rosy mist, and faded gradually behind a veil of white dust raised by the flocks coming down from Roza, or melted into the dazzling blaze of light over the distance.At the end of the garden are the bird sellers, their little cages packed full of parrots, minahs, and bulbuls; and tiny finches, scarcely larger than butterflies, hang on the boughs of ebony trees and daturas in bloom.

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THREE:KOHAT"Nautch-girls for tourists, like Europeans," said my Indian servant Abibulla. "Can-can dancing-girls," he added, with an air of triumph at having shown me a wonder.

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THREE:In one vast hall were ancient weapons, swords and pistols, enriched with precious stones; suits of armour damascened with gold, guns with silver stocks set with pearls, and a whole battery of field-pieces to be carried on camels' backs and spit out[Pg 237] tiny ballsenormously, absurdly long, still perched on their saddle-shaped carriages. And in a window bay two toy cannon made of gold and silver, with which Dhuleep Singh used to play as a child before he lost his realm.
THREE:Under a loggia, flowery with mosaics of jasper and carnelian, the emperor, seated on a white marble throne embroidered with carving, administered justice. At his feet, on a raised stone flag, the divan, his prime minister took down the despot's words, to transmit them to the people who were kept at a respectful distance under a colonnade, forming a verandah round the imperial palace.
THREE:The large town lies along the bank of the Jellum; the houses are of wood, grey and satiny with old age, and almost all tottering to their end on the strand unprotected by an embankment. The windows are latticed with bent wood in fanciful designs. Large houses built of brick have thrown out covered balconies and verandahs, supported on tall piles in the water, and on brackets carved to represent monsters or flowering creepers.A man in the fort always struck out the hours on a gong, very slowly, in the heat of the day. Twelve at noon was interminableone, two, three were so feeble as to be scarcely audible. And then when it was cooler and the tom-toms could be heard in the distance, the strokes had a queer dislocated rhythm, and sometimes even a stroke too many, smothered in a hurried roll.
THREE:In the town camels were harnessed to a sort of carriage like a hut perched on misshapen wheels, and rumbling slowly through the streets, seeming very heavy at the heels of the big beast with its shambling gait.Under the central dome sleeps Mumtaj-Mahal, the well-beloved sultana, for whom Shah Jehan erected the most beautiful mausoleum in the world.
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ONE:A roofless mausoleum is that of the Sultan[Pg 221] Altamsh, who desired to sleep for ever with no vault over his tomb but that of the heavens; a vast hall, its walls wrought with inscriptions in Persian, Hindostanee, and Arabic, built of brick-red granite and yellow marble softened to pale orange in the golden sunshine. Here and there traces may be seen of wall-paintings, green and blue, but quite faded, and now merely a darker shadow round the incised ornament. Hibiscus shrubs mingle their branches over the tomb and drop large blood-red blossoms on the stone sarcophagus. Further on is another mausoleum, in such good preservation that it has been utilized as a bungalow for some official.By noon, under the torrid blaze which takes the colour out of everything, exhaustion overpowers the city. Vehicles are rare; a few foot-passengers try to find a narrow line of shade close to the houses, and silence weighs on everything, broken only by the buzzing of flies, the strident croak of birds of prey.

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ONE:The train, now travelling northwards again, ran for a long way across the scorched plain through groves of dead trees and sandhills covered with lichen, till, in the golden sunset close to Gwalior, suddenly, at the foot of a hill, we came upon the greenery of fine parks with palaces rising above cool marble tanks.The people came back to the dancing, which went on till daylight. The music could be heard in the distance, drowned from time to time by the yelling of the jackals or the watchman's call, and it was not till daybreak that the drumming ceased.
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Then some men go past who have a stick like a distaff thrust through their belt with a net wound round it; they net as they walk, heedless of jostling, their eyes fixed on their work.Near her was another woman, gone mad, dancing, her skeleton limbs contorted in a caricature of[Pg 193] grace; and a child of some few months, like an undeveloped abortion, of the colour of a new penny, with a large head rolling on a neck reduced to the thickness of the vertebr?, and arms and legs no larger than knitting-pins, but, in a sort of mockery, the swollen belly of the fever-stricken. The eyes blinked in the little wrinkled face, seeking something in vacancy; it tried to cry, but the only sound was a feeble croak.
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