ONE:Why not for ever? he asked.She did not move while the song continued, her hand still rested unconsciously on his sleeve, her eyes looked straight at him, demanding his companionship in that young joy of life that thrilled her no less than the bird. It was that in the main that possessed her, and yet, for that delicate intimate moment, she had instinctively (so instinctively that she was unaware of her choice) chosen him as her companion. She wanted to listen to the lark with him (or his coat) on her finger-tips. Her whole soul was steeped in the joyful hour, and it was with him she shared it: it was theirs, not hers alone.
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ONE:The slight stirring of Rose's body, and a sigh so low that Arthur scarcely heard it, seemed to suggest that matters were becoming rather too deep for comprehension. The grasshopper sprung again, and this time landed upon the stile, where he remained for a long while, as though wondering what perversion of the common sense natural to grasshoppers could have prompted him to choose so barren a landing place. During the long pause Rose did not see the look of strained perplexity upon Arthur's face.
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ONE:I must say I am surprised at your not seeing Miss Propert home, she said. After bringing her into my drawing-room and forcing me to be civil to her, you might have had the civility yourself to see her to her house."In their Machinery Hall they have a very creditable exhibit, considering how recently they have opened the country to the Western world, and how little they had before the opening in the way of Western ideas. There is a small steam-engine of Japanese make; there are two or three looms, some rice-mills, winnowing-machines, an apparatus for winding and spinning silk, some pumps, a hay-cutter, and a fire-engine worked by hand. Then there are several agricultural machines, platform scales, pumps, and a wood-working apparatus from American makers, and there are two or three of English production. In the Agricultural Hall there are horse-rakes, mowers, reapers, and ploughs from America, and there are also some well-made ploughs from Japanese hands. In the Eastern Hall there are some delicate balances for weighing coin and the precious metals; they were made for the mint at Osaka, and look wonderfully like the best French or German balances. The Japanese have been quite successful in copying these instruments, more so than in imitating the heavier scales from America. Fairbanks's scales have been adopted as the standard of the Japanese postal and customs departments. Some of the skilful workmen in Japan thought they could make their own scales, and so they set about copying the American one. They made a scale that looked just as well, but was not accurate as a weighing-machine. As the chief use of a scale is to weigh correctly, they concluded to quit their experiments and stick to Fairbanks's.
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