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THREE:Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomes��a crystal of silk and frost, as it were, bright with its own light.Wide strands of golden sand; here and there among the rice-fields the palms and bamboos are less crowded. In the moist air, that grows hotter and hotter, the daylight is blinding, hardly tolerable through the blue glass of the windows. Scorched, russet rocks stand up from the short grass, tremulous in the noontide heat. The cattle, the very birds, silent and motionless, have sought shelter in the shade; all the people have gone within doors. And then, towards evening, in an oasis of gigantic trees, amid bamboos and feathery reeds, behold the huge temples of Madura, in sharp outline against a rosy sky.