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Very late in the evening came the sound of darboukhas once more. A throng of people, lighted up by a red glow, came along, escorting a car drawn by oxen. At each of the four corners were children carrying torches, and in the middle of the car a tall pole was fixed. On this, little Hindoo boys were performing the most extraordinary acrobatic tricks, climbing it with the very tips of their toes and fingers, sliding down again head foremost, and stopping within an inch of the floor. Their bronze skins, in contrast to the white loin-cloth that cut them across the middle, and their fine muscular limbs, made them look like antique figures. The performance went on to the noise of drums and singing, and was in honour of the seventieth birthday of a Mohammedan witch who dwelt in the village. The car presently moved off, and, after two or three[Pg 49] stoppages, reached the old woman's door. The toothless hag, her face carved into black furrows, under a towzle of white hair emerging from a ragged kerchief, with a stupid stare lighted up by a gleam of wickedness when she fixed an eye, sat on the ground in her hovel surrounded by an unspeakable heap of rags and leavings. The crowd squeezed in and gathered round her; but she sat perfectly unmoved, and the little acrobats, performing in front of her door, did not win a glance from her. And then, the noise and glare annoying her probably, she turned with her face to the wall and remained so. She never quitted her lair; all she needed was brought to her by the villagers, who dreaded the spells she could cast. Her reputation for wisdom and magic had spread far and wide. The Nizam's cousin, and prime minister of the dominion, never fails to pay her a visit when passing through Nandgaun, and other even greater personages, spoken of only with bated breath, have been known to consult her.

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  • ONE:MADURA Read More
  • ONE:So at last the door was opened.At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the grounda white mass[Pg 142] dimly lighted by a few lanternsand sang to the music a soft, monotonous chant. Read More
  • ONE:We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.[Pg 228] Read More
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"Let every children forced to be on street have education."

–Munzurul Hasan, Alor Bhubon

THREE:The plague-stricken man lay on a low bed struggling with anguish; large drops of sweat stood on his face, his throat was wrapped in wet bandages, and he spoke with difficulty, as in a dream.

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FORE:All the architectural details are effaced; parasites and creepers have overgrown the old-world carvings.

We Open in Jamalpur Branch in 2010

FORE:

We Open in Jamalpur Branch in 2010

FORE:When the gate to the platform was opened there was a stampede, a fearful rush to the train; then the cars, once filled, were immediately shut on the noisy glee of those who were going.

We Open in Jamalpur Branch in 2010

FORE:The air is redolent of musk, sandal-wood, jasmine, and the acrid smell of the hookahs smoked by placid old men sitting in the shadow of their doors."Kali?" he asked.

We Open in Jamalpur Branch in 2010

THREE:The orchestra, consisting of a harmonium, a violin, and a darboukha, played a languishing, drawling air to a halting rhythm, while the chorus, standing in a line on the stage, sang the introductory verses.
THREE:At the end of a passage that runs round the temple an old woman who had just been bathing was changing her wet saree for a dry one, and appeared quite stripped, dropping her garments, and careful only not to let her face be seen.DERWAL

"We believe in a world where no child ever has to live on the streets"

Over the past 45 years,we worked in over 4 District to provide youth with practical, hands-on-skills that they can apply to entrepreneurial endeavors and entry-level jobs. We do not believe in providing hand-outs. Our goal is to provide sustainable skills through education, which can be used over a long period of time. Through a unique Train-the-Trainer model, Street Kids provides educational workshops on relevant business skills to Master Trainers and Youth Workers based in developing countries.

TWO:At Srinagar you live under the impression that the scene before you is a panorama, painted to cheat the eye. In the foreground is the river; beyond it spreads the plain, shut in by the giant mountains, just so far away as to harmonize as a whole, while over their summits, in the perpetually pure air, hues fleet like kisses of colour, the faintest shades reflected on the snow in tints going from lilac through every shade of blue and pale rose down to dead white.CAWNPORE
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TWO:But the enchantment of this rose-tinted land, vibrating in the sunshine, is evanescent. The city[Pg 3] comes into view in huge white massesdocks, and factories with tall chimneys; and coco-palms, in long lines of monotonous growth, overshadow square houses devoid of style.In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.
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FORE:From the summit we looked down over a panorama of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching the sun. Besides this a number of coloured domes, painted in pale shades faded by the sunshine, descended the almost perpendicular incline down to the bazaar, where the throng was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand outFrench rocks and Golden rockswhere the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.

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FORE:

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THREE:As we returned past a villagea hamlet of houses gathering round a well surmounted by a kiosk shading a gaudy idol crowned with red[Pg 176] pinksa perfectly naked fakir, his straight black hair bound twice round his head like a turban, stood basking in the sun, leaning against a wall, and chanting in a rapid monotone, while two babies, under the shade of a fan-palm leaf, stared up at him and sucked their thumbs.

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FORE:Then starting to his feet, and stretching out his arm to point at me, he poured forth invective in sharp, rapid speech. The words flowed without pause:

At street level we strive to meet the immediate needs of children at risk on the streets and platforms of India today. We have created a number of ‘child friendly stations’ with the help and engagement of the people who work at them, who now look out for and help children alone and at risk.

FORE:The attendants threw water on the pauper's pyre, and then with their long bamboos pushed the mass of burnt wood and flesh into the Ganges, where it looked like some enormous black frog with a white patch for the head.

At community level we work to make children on the streets visible to society and to help people understand the issues that cause children to run away and that face them on the streets and on the platforms. We invest time and skills in preventative intervention, with the aim of creating ‘safety nets’ within communities to catch children who are at risk of running away before they do so.

FORE:Then, in the magic of the evening, the air was saturated with fragrance; invisible gardenias, amaryllis, and lemon-flowers perfumed the cool night. On every side we could hear the quavering guzla, the sound of tom-toms and tambourines. The streets were brightly lighted up and crowded.After passing the temples and tombs that surround the Khoutab, the town of ruins lies scattered over the plain of pale sand and withered herbage.

At government level we work to persuade policy makers that children living on the streets should be higher on India’s political agenda and that government policies should provide greater protection and opportunity for them

THREE:
THREE:A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.

First step

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THREE:In a little alley of booths was a shop with no front show, and behind it a sort of studio full of carvers and artists working on sandal-wood boxes, ivory fans as fine as gauze, and wooden lattices with elaborate flower patterns, used to screen the zenana windows. And in little recesses workmen dressed in white, with small copper pots about them in which they had brought rice for their meals, were chasing and embossing metal with little taps of their primitive tools, never making a mistake, working as their fancy might suggest, without any pattern, and quite at home in the maze of interlacing ornament.

Munzurul Hasan

Founder,Alor Bhubon

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In lobortis, ante interdum vehicula pretium, dui enim porta lectus, non euismod tortor ante eu libero. Aenean blandit luctus tortor vitae interdum. Etiam egestas purus lorem, eget tempus odio placerat id.

Munzurul Hasan

Founder,Alor Bhubon

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In lobortis, ante interdum vehicula pretium, dui enim porta lectus, non euismod tortor ante eu libero. Aenean blandit luctus tortor vitae interdum. Etiam egestas purus lorem, eget tempus odio placerat id.

Munzurul Hasan

Founder,Alor Bhubon

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In lobortis, ante interdum vehicula pretium, dui enim porta lectus, non euismod tortor ante eu libero. Aenean blandit luctus tortor vitae interdum. Etiam egestas purus lorem, eget tempus odio placerat id.

Munzurul Hasan

Founder,Alor Bhubon

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In lobortis, ante interdum vehicula pretium, dui enim porta lectus, non euismod tortor ante eu libero. Aenean blandit luctus tortor vitae interdum. Etiam egestas purus lorem, eget tempus odio placerat id.

THREE:There, again, they all sit down in the garden. The same little packets of betel, only wrapped in gold leaf, are offered to the company, and bunches of chrysanthemum sprinkled with scent.In the evening I was to dine with the officers of the Artillery mess, and in going I lost my way. Suddenly before me stood the amber palace, with blue shadows, moon-coloured, the carvings like opal in changing hues of precious gems. Half hidden by a growth of jasmine that loaded the air with fragrance, up rose the cupolas of the little mosque, like pearls reflecting the sparkle of the stars.

Volunteer, Porshee Foundation

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THREE:In a very quiet little alley, fragrant of sandal-wood, men may be seen in open stalls printing patterns with primitive wooden stamps, always the same, on very thin silk, which shrinks into a twisted cord reduced to nothing when it is stretched out to dry.

Volunteer, Porshee Foundation

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Micheal Smith

Volunteer, Porshee Foundation

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NEWS

25 MAY 2015

Why do children end up on the streets?

Children end up on the streets for a mixture of reasons, though poverty is usually at the heart of the problem. In the countries where we work, conflict and poverty combine to force children onto the streets. In many cases a child's family can no longer afford to care for them properly or may need their help to supplement the family income and help put food on the table.

Hasan

01 DECEMBER 2014

BeReviews was a awesome envent in dhaka

With a blow from the top-maul Ahab knocked off the steel head of the lance, and then handing to the steel

Litoon Dev

03 NOVEMBER 2014

Play list of old bangle music and gajal countries

With a blow from the top-maul Ahab knocked off the steel head of the lance, and then handing to the steel

Rabbani

CONTACT ALOR BHUBON

Contact Info

252, Elephant Road, Al-Baraka Tower, Kataban Road, Dhaka, Bangladesh Phone Number: 01918-009393

The young prince then goes on his way in search of the magical flower. He is about to rest awhile in a cavern, but at the moment when he lies down on a stone it is transformed into a monster made of bladder, which rears itself enraged in the air with a trumpet-cry. By good luck the king's son calls upon the aid of the prophet Suleiman, whom the dragon also reveres, and the pacified monster conveys Tazulmulook to the garden of Bakaoli, and, moreover, gives him a ring which will be a talisman in danger.Our boat stole slowly past the palaces, where there were no lights, through the haze rising from the river, and all things assumed a dissolving appearance as though they were about to vanish; all was shrouded and dim with mystery.Colombo again; and again the jewellers and their blue stonesan intoxicating, living blue.
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