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THREE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the ��goddess of Bordeaux,�� with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and T��r��zia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said��The King had given le petit Trianon to the Queen, who delighted in the absence of restraint and formality with which she could amuse herself there, and if she had been satisfied with the suppers and picnics with her family and friends in the little palace and its shady gardens, it would have been better for her and for every one. But she gave f��tes so costly that the King on one occasion, hearing that he was to be invited to one that was to cost 100,000 francs, refused to go, and on the Queen, much hurt at his decision, assuring him that it would only cost a mere trifle, he told her to get the estimates and look at them. However, as usual, he was persuaded to yield and be present at the f��te.

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