THREE:Then, with the beam directed in the path the mysterious unknown must have taken, he tried to show the occupant of the amphibian what he meant.
FORE:In the department of novel writing, no age had yet produced such a constellation as Fielding, Richardson, Sterne, and Smollett. Their works[147] are still read with admiration by all who have a relish for vivid and masterly delineations of life; their only drawback being, that they are all more or less stained with the grossness and licentiousness of the age. From these faults Samuel Richardson (b. 1689; d. 1761) is most free, and in his "Sir Charles Grandison" he hasshown himself ahead of his age in the wisdom and liberality of his ideas. He discountenanced duelling, and taught the soundest principles of honour and morality. The photographic minuteness of his style prevents the general reading of his works in the present day of abundant new literature. The principal novels of Henry Fielding (b. 1707; d. 1754), "Joseph Andrews," "Tom Jones," and "Amelia," abound in wit, vigour, and knowledge of human nature. He wrote also some plays, and edited several periodicals. His sister, Sarah, also wrote "David Simple," a novel, and translated Xenophon's "Memoirs of Socrates." Tobias Smollett (b. 1721; d. 1771) paints life in strong, bold, but somewhat coarse lines, full of vigour, but with even more grossness than Fielding uses. "Peregrine Pickle," "Count Fathom," "Roderick Random," "Humphrey Clinker," and "Sir Launcelot Greaves," if not now generally read, have been carefully studied and made use of by some of our modern novelists. Smollett, besides, wrote plays, satires, poems, and edited "The Briton," a weekly newspaper. Laurence Sterne (b. 1713; d. 1768) struck out a style of writing peculiar to himself, and which still defies all successful imitation. Notwithstanding attempts to represent his pathos as grimace, and his humour as tinsel, the felicity of touch in "Tristram Shandy," and the flashes of wit and feeling in his "Sentimental Journey," will, in spite of detractors, and of the occasional indecency of the author, always send readers to Sterne.
THREE:"Well," he said more easily, "you've accomplished the thing you set out to do, anyway."
FORE:"It's six one, and half a dozen the other. They'd be willing enough to die out in peace, if we'd let them. Even they have come to have a vague sort of instinct that that's what it amounts to."
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THREE:
FORE:That was unusual. After a trip across the Atlantic, the yacht was ordinarily laid up for awhile, giving its crew some shore liberty.And in that ridiculous position Dick, a hero upside down, came to earth at the end of Sandys birthday flighton the thirteenth, a Friday, as Jeff, white and shaken, hastened to remind them.
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THREE:Lets lock up, here, and join Jeff, suggested Sandy.There were two bodies lying across the trail in front of him. He dismounted, and throwing his reins to the[Pg 136] trumpeter went forward to investigate. It was not a pleasant task. The men had been dead some time and their clothing was beginning to fall away in shreds. Some of their outfit was scattered about, and he could guess from it that they had been prospectors. A few feet away was the claim they had been working. Only their arms had been stolen, otherwise nothing appeared to be missing. There was even in the pockets considerable coin, in gold and silver, which Landor found, when he took a long knife from his saddle bags, and standing as far off as might be, slit the cloth open.
FORE:Sandy, left alone, searched the hangar for an unseen exit, but found none.Butwhat? demanded Dick.
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