THREE:This report was published in the Moniteur on the morning of Monday, July 26th. On the same day, and in the same paper, appeared the famous Ordonnances, signed by the king, and countersigned by his Ministers. By the first the liberty of the press was abolished, and thenceforth no journal could be published without the authority of the Government. By the second the Chamber of Deputies, which was to meet in the ensuing month, was dissolved. By the third a new scheme of election was introduced, which destroyed the franchise of three-fourths of the electors, and reduced the number of deputies to little more than one half. Thus the whole Constitution was swept away by a stroke of the royal pen. As soon as these Ordonnances became generally known throughout the city the people were thrown into a state of violent agitation. The editors and proprietors of twelve journals assembled, and having resolved that the Ordonnances were illegal, they determined to publish their papers on the following day. A statement of their case, signed by thirty-eight persons, was published in the Nationale. They said: "In the situation in which we are placed, obedience ceases to be a duty. We are dispensed from obeying. We resist the Government in what concerns ourselves. It is for France to determine how far her resistance ought to extend." In pursuance of this announcement the journalists were preparing to issue their papers when the police entered the offices and began to scatter the type and break the presses. In some of the offices the workmen resisted, and the locks of the doors had to be picked; but no smith could be got to do the work except one whose business it was to rivet the manacles on galley slaves. There was a meeting of the electors of Paris, who quickly decided upon a plan of operations. Deputations were appointed to wait on the manufacturers, printers, builders, and other extensive employers, requesting them to discharge their workpeople, which was done, and on the 27th 50,000 men were assembled in different parts of the town, in groups, crying, "Vive la Charte!" About thirty deputies, who had arrived in town, met at the house of M. Casimir Perier, and resolved to encourage the rising of the people. The troops were under arms; and it is stated that without any provocation from the people except their cries, the military began to sabre the unarmed multitude. The first shot seems to have been fired out of a house, by an Englishman, named Foulkes, who was fired on by the military, and killed. Alarming reports spread through the city that the blood of the people was being wantonly shed, and that women were not spared. The black flag was raised in various quarters, ominous of the desperate nature of the struggle. The night of the 27th was spent in preparation. The shops of the armourers were visited, and the citizens armed themselves with all sorts of weaponspistols, sabres, bayonets, etc. In every street men were employed digging up the pavements, and carrying stones to the tops of the houses, or piling them behind the barricades, which were being constructed of omnibuses and fiacres at successive distances of about fifty paces. The fine trees of the Boulevards were cut down and used for the same purpose. The garrison of Paris was commanded by General Marmont. It consisted altogether of 11,500 men. At daybreak on the 28th the citizens were nearly ready for battle. Early in the morning national guards were seen hastening to the H?tel de Ville, amidst the cheers of the people. Parties of cavalry galloped up and down, and occasionally a horseman, shot from a window, fell back out of his saddle. At ten o'clock Marmont formed six columns of attack, preceded by cannon, which were to concentrate round the H?tel de Ville. The insurgents retired before the artillery, and the troops, abandoning the open places, took shelter in the houses and behind barriers. In the meantime a desperate fight raged at the H?tel de Ville, which was taken possession of, and bravely defended by the National Guard. Their fire from the top of the building was unceasing, while the artillery thundered below. It was taken and retaken several times. It appears that hitherto the Government had no idea of the nature of the contest. The journals had proclaimed open war. They declared that the social contract being torn, they were bound and authorised to use every possible mode of resistance, and that between right and violence the struggle could not be protracted. This was on the 26th; but at four o'clock p.m., on the 27th, the troops had received no orders; and when they were called out of barracks shortly after, many officers were absent, not having been apprised that any duty whatever was expected. The night offered[317] leisure to arrange and opportunity to execute all necessary precautions. The circumstances were urgent, the danger obvious and imminent; yet nothing at all was done. The contest lasted for three days with varying fortunes. Twice the palace of the Tuileries was taken and abandoned; but on the third day the citizens were finally victorious, and the tricoloured flag was placed on the central pavilion. Marmont, seeing that all was lost, withdrew his troops; and on the afternoon of the 29th Paris was left entirely at the command of the triumphant population. The National Guard was organised, and General Lafayette, "the veteran of patriotic revolutions," took the command. Notwithstanding the severity of the fighting, the casualties were not very great. About 700 citizens lost their lives, and about 2,000 were wounded. It was stated that the troops were encouraged to fight by a lavish distribution of money, about a million francs having been distributed amongst them, for the purpose of stimulating their loyalty. The deputies met on the 31st, and resolved to invite Louis Philippe, Duke of Orleans, to be lieutenant-general of the kingdom. He accepted the office, and issued a proclamation which stated that the Charter would thenceforth be a truth. The Chambers were opened on the 3rd of August; 200 deputies were present; the galleries were crowded with peers, general officers of the old army, the diplomatic body, and other distinguished persons. The duke, in his opening speech, dwelt upon the violations of the Charter, and stated that he was attached by conviction to the principles of free government. At a subsequent meeting the Chamber conferred upon him the title of the King of the French. He took the oath to observe the Charter, which had been revised in several particulars. On the 17th of August Charles X. arrived in England; and by a curious coincidence there was a meeting that day in the London Tavern, at which an address to the citizens of Paris, written by Dr. Bowring, congratulating them on the Revolution of July, was unanimously adopted. Meetings of a similar kind were held in many of the cities and towns of the United Kingdom. Feelings of delight and admiration pervaded the public mind in Britain; delight that the cause of constitutional freedom had so signally triumphed, and admiration of the heroism of the citizens, and the order and self-control with which they conducted themselves in the hour of victory. Thus ended the Revolution of July, 1830. It was short and decisive, but it had been the finale of a long struggle. The battle had been fought in courts and chambers by constitutional lawyers and patriotic orators. It had been fought with the pen in newspapers, pamphlets, songs, plays, poems, novels, histories. It had been fought with the pencil in caricatures of all sorts. It was the triumph of public opinion over military despotism. To commemorate the three days of July it was determined to erect a column on the Place de la Bastille, which was completed in 1840.During this reign architecture was in a state of transition, or, rather, revolution, running through the Palladian, the Roman, the Greek, and into the Gothic, with a rapidity which denoted the unsettled ideas on the subject. At the commencement of the reign James Paine and John Carr were the prevailing architects. Worksop Manor, since pulled down, and Keddlestone, in Derbyshire, were the work of Paine; but Robert Adam, an advocate for a Roman style, completed Keddlestone. Carr built Harewood House, and others of a like character, chiefly remarkable for Grecian porticos attached to buildings of no style whatever. The Woods, of Bath, employed a spurious Grecian style in the Crescent in that city, Queen's Square, the Pounds, etc., which, however, acquired a certain splendour by their extent and tout ensemble. To these succeeded Robert Taylor, the architect of the Bank of England and other public buildings, in a manner half Italian, half Roman. Sir William Chambers, of more purely Italian taste, has left us Somerset House as a noble specimen of his talent. Robert and James Adam erected numerous works in the semi-Roman semi-Italian style, as Caenwood House, at Highgate, Portland Place, and the screen at the Admiralty. In Portland Place Robert Adam set the example of giving the space necessary for a great metropolis. James Wyatt, who succeeded Chambers as Surveyor-General in 1800, destined to leave extensive traces of his art, commenced his career by the erection of the Pantheon, London, in the classical style, and then took up the Gothic style, which had begun to have its admirers, and in which James Essex had already distinguished himself by his restoration of the lantern of Ely Cathedral, and in other works at Cambridge. Wyatt was employed to restore some[200] of the principal colleges at Oxford, and to do the same work for the cathedral of Salisbury and Windsor Castle. In these he showed that he had penetrated to a certain extent into the principles of that order of architecture, but was far from having completely mastered them. A greater failure was his erection of Fonthill Abbey, for Beckford, the author of "Vathek," where he made a medley of half an abbey, half a castle, with a huge central church tower, so little based on the knowledge of the Gothic architects that in a few years the tower fell. Wyatt, however, was a man of enterprising genius. Co-temporary with Wyatt, George Dance made a much less happy attempt in Gothic in the front of Guildhall, London; but he built Newgate and St. Luke's Hospital in a very appropriate style. One of the most elegant erections at this period was the Italian Opera House, by a foreigner, Novosielsky, in 1789. Nor must we omit here the publication of John Gwynn's "London and Westminster Improved," in 1766, by which he led the way to the extensive opening up of narrow streets, and throwing out of fresh bridges, areas, and thoroughfares, which have been since realised, or which are still in progress.
Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin literature from 45 BC, making it over 2000 years old. Richard McClintock
