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ONE: TWO:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or f��te. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.

ONE:Again the King let slip a golden opportunity, for he could have left that night in perfect safety with a strong escort, and placed himself and the royal [215] family in safety, if only he had taken advantage of the favourable disposition of the troops, but the chance was lost, the demonstration infuriated and alarmed the Revolutionists, who succeeded in corrupting part of the regiment de Flandre, made La Fayette head of the National Guards, and carried the King and royal family to Paris. TWO: