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FORE:��But��While Louise and Adrienne were still children projects of marriage for them were, of course, discussed, and they were only about thirteen and fourteen when two sons-in-law were approved of and accepted by their parents, with the condition that the proposed arrangements should not be communicated to the young girls for a year, during which they would be allowed often to meet and become well acquainted with their future husbands.

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FORE:David turned pale, made his escape, and for a long time would not go to the house for fear of meeting her. [49] She was afterwards told by Gros that David would like to go and see her, but her silence expressed her refusal. Soon after the return of Mme. Le Brun, Napoleon sent M. Denon to order from her the portrait of his sister, Caroline Murat. She did not like to refuse, although the price given (1,800 francs) was less than half what she usually got, and Caroline Murat was so insufferable that it made the process a penance. She appeared with two maids, whom she wanted to do her hair while she was being painted. On being told that this was impossible, she consented to dismiss them, but she kept Mme. Le Brun at Paris all the summer by her intolerable behaviour. She was always changing her dress or coiffure, which had to be painted out and done over again. She was never punctual, and often did not come at all, when she had made the appointment; she was continually wanting alterations and giving so much trouble, that one day Mme. Le Brun remarked to M. Denon, loudly enough for her to hear��They did not know her at first, for besides her altered looks she was dressed as an ouvri��re, having just exhibited in the Salon her portrait which she had painted with her child in her arms, and fearing she might be recognised.

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THREE:One Sunday in October, 1796, Lisette went, after mass, to the palace to present the portrait she had just finished of the Grand Duchess Elizabeth.

TWO:Plauzat was a stately and comfortable, besides being a picturesque abode, with its immense hall hung with crimson damask and family portraits, out of which opened Pauline��s great bedroom, the walls of which were covered with blue and white tapestry worked by M. de Montagu��s grandmother, Laure de Fitzjames, grand-daughter of James II. of England.

TWO:THE early years of the childhood of Elisabeth Vig��e were peaceful and happy enough, and already at a tender age the genius which was to determine and characterise her future life began to appear. According to the usual custom she was placed in a convent to be educated, and though only six years old when she was sent there, she had then and during the five years of her convent life, the habit of drawing and scribbling perpetually and upon everything she could lay her hands on, much to the displeasure of the good Sisters and of her companions.

TWO:However they were none of them in the same danger that she would have been had she remained at Paris. None of them were at all conspicuous, and as far as any one could be said to be tolerably safe in France under the new reign of Liberty, Equality, and Fraternity, they might be supposed to be so.

THREE:The incident accords so well with the habitual treachery of Robespierre, that if not true it may be called ben trovato; but in fact it is not really certain that it took place.But the most extraordinary and absurd person in the family was the Mar��chale de Noailles, mother of the Duc d��Ayen, whose eccentricity was such that she might well have been supposed to be mad. It was, however, only upon certain points that her delusions were so singular��otherwise she seems to have been only an eccentric person, whose ideas of rank and position amounted to a mania.