But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Molire. If these works stand at the head of French literature, they owe their position not more to their authors brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Molire turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Molire from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Prcieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotles disciple, Theophrastus, and already prefigured in the masters own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572The spoils of the rancheria were varied, and some of them interesting as well. There were quite a hundred mules and horses, and there was money, to the sum of five thousand dollars or more. Also there were gold and silver watches and clothes and saddles and bridlesall the loot of the unhappy haciendas and pueblas down on the flat. But the most treasured of all their possessions was a little photograph album which had begun its varied career in the particular home of the misguided Indian philanthropist, Boston.
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With the breeze from the new direction, as they steadily got closer to the end of the island, coming over a spot where a break in the cloud showed brown-yellow sand and rushing white surf beyond the wide level beach, Sandys alert eyes caught sight of something for an instant. Prodding Jeff, he indicated the object.When she lay, one day, with her face, too white and sharp, looking out from the tangle of hair upon the pillow, he asked her almost abruptly if she had rather go back to the West. He could not bring himself to ask if she were longing to be near Cairness. He shrank too much from her frank, unhesitating assent.Are there people as crazy as that? And going around, loose?Fallings from us, vanishings,The eyes fluttered open, the lips trembled."No," he agreed, "it doesn't matter. And I shall do well enough." Then the three went out, and she finished her breakfast alone.
