TWO:The third portrait Mme. Le Brun retained in her own possessionfor she had begun it in September, 1789, when the terrors of the Revolution were beginning. As she painted at Louveciennes they could hear the thunder of the cannonades, and the unfortunate Mme. Du Barry said to her
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TWO:On the nights when there was an opera, the Palais Royal was open to any one who had been presented there. The first invitation to supper meant a standing one for those days, therefore the Palais Royal was then crowded with guests; and on other evenings the petits soupers, generally consisting of eighteen or twenty guests, were composed of those of the intimate society of the Duke and Duchess, who also had a general invitation.
FORE:Pauline was almost in despair. Her child died, as all the others had done; letters from home had stopped, she did not know what had become of her mother, sisters, and grandmother; they were in the middle of winter and had only enough money for another month; more and more emigrs were crowding into Brussels, flying from the Terror, which had begun.
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FORE:Mme. de Boisgeloup, however, received the children with the greatest kindness, her two boys were companions for the young Cabarrus, and as for Trzia, she loved and treated her like a daughter. They lived in the rue dAnjou, and when the following year her father arrived at Paris and bought a h?tel in the place des Victoires she still spent less of her time with him than with her.
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FORE:
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FORE:I knew it, replied Fronsac, and passed on.
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FORE:Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.As to the other daughter, Mme. de Valence, her marriage had turned out just as might have been [409] foretold by any one of common sense. M. de Valence did not change his conduct in the least, he was still one of the most dissipated men in Paris though he never stooped to the dishonour of Philippe-galit. He remained always the favourite of Mme. de Montesson, who at her death left her whole fortune to him.
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FORE:CHAPTER IX
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FORE:E. H. Bearne
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FORE:Mlle. Georgette Ducrest, a cousin of Mme. de Genlis, had emigrated with her family, who were [454] protected by Mme. de Montesson and Josphine, and now applied for radiation.
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