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ONE:
TWO:A tonga arrived just as we drove up, bringing an English official, travelling in his own carriage; gaiters, shooting jacket, a switch in his hand. He seated himself outside the bungalow in a cane chair, close by mine. Out of a case that was brought before him a hatchet and a pistol were unpacked, documentary evidence of the crime into which he was to inquire. In euismod quam ac dictum

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ONE:
TWO:An old man who sold us some shells, had, in the days of prosperity, made a little fortune by charming the sharks with spells and signs that kept them away from the boats, and from the naked and defenceless pearl-fishers as they plunged into the deep to seek the precious shells.
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ONE:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.
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ONE:To light the way, coolies carried long iron tridents tipped with balls of tow soaked in oil. The mass moved slowly forward through the people, suddenly soothed to silence. The procession paused at the wayside altars, and then, in the middle of a circle formed by the torch-bearers and coloured lights, the sacred bayadres appearedthree girls with bare heads, dressed in stiff new sarongs heavy with tinkling trinkets, and an old woman crowned with a sort of very tall cylindrical tiara of red velvet embroidered with gold. Very sweet-toned bagpipes and some darboukhas played a slow tune, and the dancers began to move; they spun slowly round, their arms held out, their bodies kept rigid, [Pg 137]excepting when they bowed to the shrine. The crude light of the red fire or the sulphurous flare of the torches fell on their glittering ornaments, alternately festive and mysterious, shedding over the performance an atmosphere at once dreamy and magically gorgeous.
TWO:In one of the alleys by the outer wall was a little house with a door in carved panels framing[Pg 243] inlaid work as delicate as woven damask. A crowd surrounding it could not be persuaded by Abibulla's eloquence to make way for me, a suspicious-looking stranger. FORE:To-day a religious festival; from the earliest hour everybody had donned new clothes, and in the [Pg 262]afternoon in the bazaar there was a masquerade of the lowest classembroidered dhotis, white robes, light-coloured turbans displaying large discs of green, red or blue. The men, even old men, ran after each other with bottles of coloured water, which they sprinkled far and near. One indeed had neither more nor less than a phial of violet ink, which, on the face and hands of a little black boy, shone with metallic lustre. One boy, in a clean garment, fled from a man who was a constant beggar from me, and who was pursuing him with some yellow fluid; and the fugitive was quite seriously blamed for disregarding the will of the gods and goddesses, whose festival it was.At night, when the fog had at last cleared off, a column of fire was piled up on the engine; it shone[Pg 154] on the smooth trunks of the "flame of the forest," which looked like the pillars of a cathedral, on the sparkling water-springs all hung about with prayer-strips, on the veronica shrubs covered with flowers and as tall as trees, and the sheaves of bamboo and fern; or it lighted up the hanging screen of creepers, the impenetrable jungle growth that shut in the silence of the sleeping forest.

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ONE:He came into ours as if he were at home, and amused himself by worrying me. At first he made believe to throw my rings out of window, substituting others, I know not how, which I saw fall on the line and roll into the grass on the bank. My watch got into his hands and vanished; I found it in my friend T's pocket, and afterwards in a basket of provender closed at Bhawnagar, and which I unpacked with my own hands.There was nobody in the garden of the mausoleums, not even the usual obsequious and mendicant attendant. Only by the tomb of Purvez a moollah was kneeling in prayer, motionless, and wrapped in some very light white material, which the wind gently stirred and blew up. All the time I was examining the mausoleums he prayed on, prostrate, immovable; and even from afar, from the road, I could see him still, like a stone among the marble work, at the feet of the hero who sleeps his last in mid-air.
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A native judge is sitting cross-legged on a little mat in his house. A petitioner appears of the lowest caste, a Sudra. The judge, quite motionless, watches the man unfasten his sandals, rush up to him, and with a profound bow touch his feet in sign of submission. For a man of higher caste, a Vaysiya, the ceremonial is the same, only instead of running forward the visitor walks up to the judge and merely pretends to touch his slippers. Then comes a kshatriya advancing very slowly; the judge rises to meet him half-way, and they both bow.The Rajah's residence, of plaster like the rest of the town, is pink too outside, but the interior is aggressive with paint of harsh colours. In the living rooms is shabby furniture, gilt chairs turned one over the other, as on the day after a ball. The curtains over the doors and windows are of silk,[Pg 214] but frayed and threadbare. In the shade of a marble court with carved columns, clerks are employed in counting moneyhandsome coins stamped with flowers and Indian characters, laid out in rows. They count them into bags round which soldiers mount guard.The garden, which is very extensive and laid out in beds carefully crammed with common flowers, has Jablochkoff lamps at every turning. It is traversed by a little narrow-gauge railway, and[Pg 203] the toy train is kept under a vault of the brand-new, spotless white palace.
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