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Wide strands of golden sand; here and there among the rice-fields the palms and bamboos are less crowded. In the moist air, that grows hotter and hotter, the daylight is blinding, hardly tolerable through the blue glass of the windows. Scorched, russet rocks stand up from the short grass, tremulous in the noontide heat. The cattle, the very birds, silent and motionless, have sought shelter in the shade; all the people have gone within doors. And then, towards evening, in an oasis of gigantic trees, amid bamboos and feathery reeds, behold the huge temples of Madura, in sharp outline against a rosy sky.

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THREE:Deeply graven in the stone of one of the walls is the giant hand of Ali the Conqueror, the terrible, who came from the land of the Arabs, killing all on his way who refused to be converted to Islam. And he died in the desolate Khyber, where all who pass do him honour, and entreat his protection on their way.
FORE:
TWO:Behind a ponderous wall, dinted all over by shot, and showing broad, light patches once covered by earthenware tiles, is the palace of Runjeet Singh, inlaid with enamelled pictures in green, blue, and yellow of tiger-fights and horse-races, mingling with flowers and garlands of boughs. The durbar, the hall or presence chamber, opens by a verandah on a forecourt paved with marble; in its walls are mirrors and panels of coloured glass over a ground of dull gold, agate-like tints iridescent with a nacreous, silvery, luminous lustre.Then a quiet little street. Our guide paused in front of a whitewashed house. An old woman came out, and with many salaams and speeches of welcome led us into a large, low room.
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THREE:In the evening at Byculla, in the street of the disreputable, in front of a house hermetically closed, and painted with a round red spot for each person who had died there, a fire of sulphur was burning with a livid glow. Only one gambling-house tried to tempt customers with a great noise of harmonium and tom-toms; and from a side street came a response of muffled tambourines and castanets. First the dead, wrapped in red stuff and tied to a bamboo, and then the procession turned into the lighted street. White shapes crowded by, vanishing at once, and the harmonium again rose above the silence with its skipping tunes, and the tom-toms beating out of timeand attracted no one.

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THREE:A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.Immediately on entering we were in the maze of vaults, sanctuaries, great halls and arcades, where stall-keepers sell their goods, priests keep school, and flower-sellers wander. Statues, repeated in long rows, lead up to temples all alike, of a bewildering uniformity of architecture and identical decoration.

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FORE:The moon at night shed an intense light, warm and golden. There was scarcely any shadow, and in the quivering atmosphere the flowers poured out their perfume on the cooler air. Frogs croaked a basso continuo to cries of night birds, and a sort of roar, very loud but very distant, almost drowned the concert in the fort close by.Adjacent to this temple was the court-house, a hall of ancient splendour in the time of the kings of Kandy. It stood wide open, the walls lined with carved wood panels. The court was sitting under the punkhas that swung with regular monotony, the judges robed in red. One of the accused, standing in a sort of pen, listened unmoved to the pleading. A large label bearing the number 5 hung over his breast. Behind a barrier stood other natives, each decorated with a number, under the charge of sepoys. One of them, having been wounded in the murderous fray for which they were being tried, lay at full length on a litter covered with pretty matting, red and white and green, stretched on bamboo legs. A long robe of light silk enveloped his legs, and he alone of them all had charming features, long black eyes with dark blue depths, his face framed in a sort of halo of silky, tangled hair. He, like the man now being sentenced and those who had gone through their examination,[Pg 129] seemed quite indifferent to the judges and the lawyers. He mildly waved a palm leaf which served him as a fan, and looked as if he were listening to voices in a dream, very far away.
THREE:

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THREE:A bulbul, flying out of a temple where it had been picking up the offered rice, perched on a pomegranate tree and began to sing, at first a little timid chirp, and then a ripple of song, soon drowned by the shrieks of parrots, which came down on the tree and drove out the little red-breasted chorister.A humble poet, more venerated than the kings whose superb mausoleums are crumbling to dust in subjugated India, who, though she forgets her past, is still true to her dreams.

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THREE:

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THREE:Inside the shops everything was piled together. The same man is at once a banker, a maker of papier-mach boxespapi-machi they call it hereand of carpets, a goldsmith, tailor, upholstererand never lets you go till you have bought something.White clouds grew opalescent against the deep, infinite, blue-velvet sky, and their edges next the moon were fringed with silver. The stars, of a luminous pale green like aqua marine, seemed dead and had no twinkle.

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  • FORE:The young prince then goes on his way in search of the magical flower. He is about to rest awhile in a cavern, but at the moment when he lies down on a stone it is transformed into a monster made of bladder, which rears itself enraged in the air with a trumpet-cry. By good luck the king's son calls upon the aid of the prophet Suleiman, whom the dragon also reveres, and the pacified monster conveys Tazulmulook to the garden of Bakaoli, and, moreover, gives him a ring which will be a talisman in danger.All round the Rajah's palace crowds a town of palaces, mosques, and temples dedicated to Vishnu; and outside the walls, on a plain lying between the hills of Amber, is another town, still thick with ruins amid the forest of encroaching trees. And it is all dead, deserted, dust-coloured, unspeakably sad, with the sadness of destruction and desertion in the midst of a landscape gorgeous with flowers and groves. In the palace of Amber, guides make a good[Pg 216] business of showing us the public rooms, baths, and bedrooms, all restored with an eye to the tourist. In the gardens, heavy with perfume, the trees display swinging balls of baked earth full of holes, which protect the ripening fruit from the monkeys; a whole tribe of them scampered off at our approach, and went to torment the peacocks that were solemnly promenading a path, and that presently flew away.

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  • FORE:In an ancient mosque, somewhat dilapidated, was an infant-school. Little heaps of stuff, pink and yellow and white, and above them emaciated little faces with large dark eyes that had greenish-blue lights in them, all moving and rocking continually, and spelling aloud out of open books set up on wooden folding desks. The master in his pulpit listened stolidly with half-shut eyes, and detected the mistakes in all this twitter of little voices."Yes. But how much is this?"

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  • FORE:At an angle of the stairs of violet-tinted stone, which lead to the summit of the hill, a tablet of green marble, engraved in flowing Arabic characters, remains uninjured, the record of the great deeds of some emperor of Golconda.

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  • FORE:The garden, which is very extensive and laid out in beds carefully crammed with common flowers, has Jablochkoff lamps at every turning. It is traversed by a little narrow-gauge railway, and[Pg 203] the toy train is kept under a vault of the brand-new, spotless white palace.

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THREE:Two days after, the people would burn in great state, on an enormous wood pile, an image of Time, to ensure the return next year of the festival of colours.
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FORE:Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.
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And for an hour as we drove along towards Amber, the old town deserted in favour of modern Jeypoor, the same succession of temples wheeled past. The crenated walls enclose three hills, one of them crowned by a fortress, to defend erewhile the white palace mirrored in the waters of an artificial lake.RAMPOOR[Pg 89]

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